It tells the inspiring story of Juan Dávila. At the age of 32, he left his steady job as a municipal police officer to devote himself to show business. Thus began a ten-year journey performing in bars, squares, variety halls, and some theaters. A journey in which he started a theater company (Improclan) where he brought together people who, like him, were looking for their niche as comedians.
Celebrities remember Mikhail Zhvanetsky, with some of the unique footage from rehearsals and his home also featured. This is more than just a tribute: it is a concert film where Sergey Makovetsky, Yuri Stoyanov, Igor Zolotovitsky, Ilya Sobolev, Kristina Babushkina, Pavel Derevyanko, Sergey Zhilin, Stanislav Duzhnikov, Vladimir Vdovichenkov, Nastasya Samburskaya, Lyudmila Artemyeva, Nikolay Valuev, Sergey Zhilin, and Gleb Kalyuzhny breathe new life into the iconic author’s best monologues.
For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
What does what we teach children inside and outside the classroom reveal about the world? How can we effectively and meaningfully communicate to them what is happening around them? The news that Teacher Celeste will leave her class has filled the children with sadness, as she has only a few days left before moving to another school. Together, they experience a September full of movements, directions, and revelations, in the beloved universe of a classroom in a Mexican village.
A self-isolated young human known as "James" delves into the hidden world of microscopic organisms, forging a tender connection with these nearly invisible creatures and developing a massive online following, as he seeks to understand his own place in the cosmos and accept the scars of his past.
House With a Voice tells the story of six Burrneshas who, for different reasons, have decided to take on the social role of men. They have done this to circumvent patriarchal structures, to avoid misogynistic attacks, to support the family economically, to avoid compelled marriage and to be free. Our characters communicate with us intimately as they talk about their lives and bring us closely into their personal journey. They speak about freedom and oppression, about the promise of sacrificing their lives for the sake of their families’ survival. But also about the breaking of gender barriers and the power of the human mind to decide who we want to be.
Jamal Hindawi, a 50-year-old Palestinian, lives with his family in the Shatila refugee camp in Beirut, where he makes political theatre. Together with a group of friends, he is working on a play that tells the story of an old jacket that symbolises the Palestinian identity. One day, after rehearsals, Jamal goes into the mountains with his friend Zreik, and on the way there he loses the jacket on a bus. A journey unfolds that takes Jamal from the mountains through Beirut, a city in radical transition, where successive crises and protests have left deep scars.
A short animated documentary exploring the immigration experience through the eyes of children learning how to swim with clothes on in the Netherlands.
A touching and humorous tale of gender roles and two people’s struggle to fulfil their dream of having a child – with the director herself in the female lead.
A visually arresting and emotionally resonant short documentary that explores identity, leadership, and legacy within the LGBTQ+ movement through the stories of two groundbreaking figures: Suzanne Ford, the first openly transgender Executive Director of San Francisco Pride, and Nguyen Pham, the first gay Vietnamese American to serve as the organization’s board president.
In the 1970s, a group of women from Lanzarote formed a peculiar Canarian ball team: Las Churreras. Between games, snacks, and unusual adventures, they left an indelible mark... or so it seems. Halfway between memory and invention, this documentary fiction humorously and tenderly recovers the story of women who may have existed, or who should have existed.
With the changes, a heat melts ice and dries up streams and rivers, and scorching temperatures that equals an ocean of fire—the rising global climate acts as an anchor to the feet of the poor, those who are trying to climb out of the ocean of poverty.
Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.
The rise of Latin music is explored through the lens of the groundbreaking Johnny Canales Show, a pioneering television program that showcased the genre and became a microcosm of the Latino experience in America.