A portrait of the fugacity of time. Bruno, Elio and Matías, three 16-year-old boys, after performing a Shakespeare monologue at high school, return to their refuge where they create their own world; where the time passes differently, as in a dream that they will eventually wake up.
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Although he works in a nice nursery, surrounded by plants and making bouquets, the real aspiration of Jorge is to become a mortician. However, as he goes through the simulations at his thanatopraxy school, he wonders if he will really be able to face reality when the time comes to see a deceased person.
Millennials with children in North American are having to grapple with their idealism. When do they risk letting their children explore the urban playground?
It began with an idea to shoot a documentary short film about street musicians in Belgrade. I agreed when my friend suggested shooting the film in an improvisational mode and nobody knew what would happen next. As we were shooting we met new local street musicians, took lessons from them and this is what came out of it.
Is there a mental health crisis in agriculture in Colorado? Farming and ranching has become increasingly difficult over the years. An industry that is typically viewed as romantic, hardworking, and "salt-of-the earth" is actually a job full of tremendous stress outside of anyone's control. Combine that with the enormous generational pressure to continue the family farm, and you have a large group of people that are suffering silently. How do we take care of those that are taking care of us?
There are many number ones, but only one becomes a legend. The brand new mixed martial arts champion, Ilia Topuria, is clear about it. After defeating Josh Emett in Florida and placing himself in the World Top Five of the all-powerful UFC league, he enters the cage ready to snatch the title from the until then undefeated Alexander “The Great” Volkanovsky. 'Topuria: Matador' is Ilia's story of personal improvement, from his native Georgia at war and his arrival in Spain, to catapulting himself as the world champion. Supported by his wife, family, friends and training partners, he will now face the fight of his life.
It's hard for us to imagine a day without a phone or computer. What if using electricity caused unbearable pain? This is the story of Peter, who suffers from EHS. He hasn't listened to music or watched TV for 15 years.
The story of a couple whose child became a serial killer, convicted for 87 murders. Can they still love their son in the face of this unforgivable guilt? Can parents ever truly stop loving their child?
After their hunger strike in Berlin's government district, 5 climate activists reunite. While Lina has joined the "Last Generation," her comrades prepare for the eviction of Lützerath, a village facing demolition for mine expansion. How far will they go for their ideals?
In Japan, thousands of people disappear voluntarily every year. And there are companies ready to help those who want to disappear without a trace and start a new life somewhere else. Meet some of them in a film that soberly examines a modern phenomenon.
A teacher with a blank notebook -the great Liliana Bodoc- arrives at a school in the middle of the desert behind the trail of the Huarpes. As in her books, Bodoc speaks to the children frankly about important things—water, the wind, death. Although, rather than speaking to them, she asks them—she looks into their stories and invites them to give shape to their ideas. But Lagunas is not exactly a documentary about Liliana Bodoc; it’s about lots of things—about the ghosts that inhabit a territory, about the bridges between generations, about memory. In Lagunas there are curious children, there are teachers and shamans, there are bodies buried in the sand, there is a culture and a language that refuse to become extinct. There is a filmmaker who, as he records, asks himself about his memories and about the memories he is leaving to his children. And there is also a writer who proves that in order to write, first you have to know how to listen.
Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.