In a laboratory, a child is the object of a mysterious experiment. Aided by a robotic prosthesis – or is it the other way round? – the child receives sense data from our world. What does an AI need to feed on to push the limits of human abilities?
In an attempt to reclaim pasture for their cattle, the inhabitants of an ecovillage in Navarre decide to cut down a pine grove planted as part of a state-funded reforesting initiative. In this fierce and sensory work, the filmmakers capture an adversarial process which uses deforestation techniques to transform a territory.
In the Argentine Pampas, life seems to be on hold. A prolonged drought is killing off the livestock and threatening the existence of Omar, a farmer, his nonagenarian mother and Libertad, his 4-year-old granddaughter.
Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.
After a premonition of an unusual bird, a father loses his voice. His daughter undertakes a search to rediscover him, through an intimate narrative that explores the past, the new facets and the silences of a man who is no longer the same.
When the state of Washington made it illegal for tribes to fish for salmon in their usual and accustomed places, it was a declaration of war. A landmark court case in 1974 would affirm the tribes’ treaty right to fish and establish them as managers of the resource, but the fate of salmon in the Pacific Northwest still hangs in the balance.
The Diary of a Sky unfolds an atmospheric symphony of violence over Beirut, revealing the haunting fusion of incessant Israeli military flights and the hum of generators during blackouts. This 45-minute video essay plunges viewers into a chilling chronicle of daily life transformed by the weaponization of the air, where the terror of repeated incursions becomes a disconcertingly banal backdrop.
A rare window into a conservative community reputed to be the most closed in the world, where the old remains the absolute reference in the face of modernity. Three generations of Amish make a rare decision to tell their stories after months of reflection and debate with their pastors. This documentary raises questions about the notion of individual freedom, belonging to a minority, economic and social norms, as well as the place of women.
There are people in charge of managing someone’s front yard or the tomb, the branches of Han River, Seonyudo Park, and even restoring the damaged environment due to the forest fire in Goseong, Gangwon-do. They are landscape architects. Among those who offer a scenic and natural landscape to our life full of adversities, Jeong Yeong Seon, 82 years old, works today again as if she writes poetry on the ground for the next generation.
Rosa and her gang have decided to spend the night on “the island”, a stretch of beach that has become their kingdom. It’s the last evening of the summer, the summer of our eighteenth birthdays, the time to experience everything, the time to say goodbye.
341 residents of Yahidne spent 26 days in captivity during the Russian invasion. A school basement where they were kept remains a grim reminder of the collective trauma. How to deal with this memory?
Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.
There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.
Prolific South African artist and filmmaker William Kentridge chronicles how he creates intricate, wall-sized charcoal drawings of the vistas from his childhood in Johannesburg and life-sized paintings of himself — all while ruminating on the puzzle of self-knowledge.