Dealing with anxiety and phobias, Dafni struggles to finish a drawing. As she navigates her relationship with her mother, friends, as well as a dog that she’s been asked to pet sit, her old best friend suddenly reappears after many years and wants to meet up.
Catarina and Marcela are going through the end of their relationship. In the course of one night, they struggle with the difficulties of having to end a stage of their lives.
Pilvi, a single mother, is invited to a “white trash” costume party hosted by her affluent friends. She feels out of place in their world, and as the evening unfolds, her past choices and societal judgments come to the forefront. A phone call later in the night forces Pilvi to confront her role as a mother.
Two young Puerto Ricans, childhood best friends, decide to spend one last day together before one of them moves to the United States in search of a better life. As their departure approaches, they begin to realize that saying goodbye isn't as easy as it seems.
Gabriel and Lucas, long-time friends, meet every Christmas Eve. But this time, Gabriel is moving out in a few days and still hasn't found the courage to break the news to Lucas.
Ma Li and Hou Ji are employees of a new energy company under the Dragon Group. When the company's president Long Baichuan is about to succeed in his company's “Super Battery” project, he wants to take the scientific research results for himself, so Ma Li and the other three and Long Baichuan as well as Mr. Jin, the investor behind the project, start a fierce battle over the Super Battery. Mr. Jin, the investor behind the project, starts a fierce battle for the “Super Battery”.
A labourer visits his ancestral village in the Himalayan foothills to take his aged father with him to the city. But his father's refusal to leave the village makes the labourer prolong his stay in the village which becomes gripped by the terror and drama of a lurking man-eater.
Saloni, a young girl from rural Bihar (India) who challenges societal norms to pursue her education. The narrative explores the boys’ fascination with social networking, against the backdrop of Saloni father’s quiet support and her unwavering resolve amidst obstacles.
In the post covid world, Manoj, a young, struggling actor, is trying to cope with his personal trauma. On a village trip with his theatre peers he gets brutally bullied in the name of drunken fun. His friends leave him. He tries to find his way out of the village, battling shame and fear, without a stitch on. He comes back to Mumbai and starts stripping in public spaces. His life starts fragmenting to pieces. In his almost dysfunctional state he makes friends with a little boy living in the opposite apartment and finds that he is regularly abused by his father. This discovery sets him off on a complex journey of uncertainty and intrigue.
Victoria, a young beautician in a suburban beauty parlour, decides to elope with her Hindu boyfriend after a fierce clash with her conservative Catholic parents. Amidst the turmoil, a neighbour asks her to temporarily house an offering rooster destined for a festival at St. George church inside the parlour. Juggling the rooster's antics, unexpected clients, and her boyfriend's uncertainty, Victoria grapples with conflicting emotions leading to a day of intense personal and spiritual revelations.
“The Looking Glass” is a reflective journey through the eyes of Kaladharan, an aging filmmaker confronting his past. As he grapples with the consequences of altering his characters’ fates, particularly Sreeram’s, the film questions the nature of art and love.
Roshini reconnects with her estranged half-brother Nived after their mother's death. While Nived remembers a loving, present mother, Roshini struggles with memories of abandonment and alcoholism. As they confront their contrasting perceptions, Roshini seeks closure for the pain of a mother she barely knew. Through heartfelt conversations and a symbolic attempt to connect with their mother, the film explores grief, family, and the search for healing.
Hari, a government employee, lives with his wife Sujata, their son Sankaran, and his brother Murali. When Hari's colleague Reji and his family visit for two days, the families celebrate, despite Murali being tired from work. The next day, Hari and Reji attend a wedding with their wives, leaving the children—Helen, Maria, and Sankaran—at home. Maria invites Sankaran to play a game, but as they play, the mood and intensity of the game shift dramatically.
A teenage girl, caught between the love for her mother and the fear of losing her, battles inner turmoil and societal taboos as she strives to honour a promise, confronting the harsh realities of gender discrimination and deeply rooted superstitions. As she treads through this intricate maze, she discovers the limitations of her youth, often realising the helplessness of being a young girl in a world where adults make all decisions. Set against the backdrop of contemporary India, where gender discrimination is normalised, the film sheds light on the persistence of superstitions in society. The movie explores the profound bond between a mother and daughter and the lengths to which a young girl could go to fulfil a promise made to her mother.
Olivia Morris, a detail-oriented wedding planner faces a whirlwind of emotions when tasked with organizing her free-spirited sister’s Christmas Eve wedding. The situation grows more complicated when her ex-boyfriend Isaiah returns from overseas to assist with the arrangements. As sparks fly and family dynamics shift, Olivia is forced to reconsider her outlook on love and life—just in time for the holidays.