"Running is prohibited on the playground"—a primary school prefect trying to do her job but simultaneously reflects on the implementation and significance behind the rule.
In one day-night journey, two young sisters, recollect memories of their recently deceased father. Encountering the cruel world of grown-ups, they keep the ultimate freedom that only kids have. Only way they can fight is to stick together.
Winter in Burgundy. Philippe remembers his brother Raphaël. Last summer, he had met him along with some friends before his leaving abroad. One last chance for Philippe to communicate with his brother.
“Entre el grito y la celda” is a film adaptation of the theatrical monologue “Lolita", which has been performed locally and internationally for the past 11 years, with over 60 performances in 5 countries, 5 states in North America, and more than 40 municipalities in Puerto Rico. The story is set in late 1954, when political prisoner Lolita Lebrón had already been sentenced to 50 years in prison at the federal prison in Alderson, West Virginia, for leading an attack on the United States Congress. The film explores Lolita's life and patriotic thoughts through poetic language, intertwining her three most significant aspects: her fervent religiosity, her fight for justice from the perspective of a young woman and mother, and her patriotic bravery to risk her freedom for causes and values she firmly believed in. The movie highlights the themes of national identity and the struggles of a resilient woman who became, for many, the Mother of the Puerto Rican Nation.
Emilio, a young adult, must choose between keeping his dying grandfather's ranch or selling it to forge his own path, risking his last family connection, and during twilight, a familiar face helps give him a new perspective.
Henri, 22, breaks his elbow playing basketball. His injury forces him to call on his friends to carry out his plan to plant a bomb at the Ministry of Ecology.
A flamboyant village boy Pratap, an aspiring politician who's struggling to prove his love to his childhood sweetheart Pinky, picks up an unrealistic challenge to win her over. But on his way to prove himself unknowingly he gets thrown into an internationally induced assassination plan of a fiery political leader. Left with no choice but to prove his innocence he chooses the wrong yet the right path, to succeed or fail.
The Ukrainian film "Lift Force" (Підйомна сила), released in 2024, is a documentary centered on the heroic efforts of Ukrainian pilots during the ongoing war. Directed by Oleksandr Stratiyenko, it explores the real-life challenges these aviators face, capturing both the intense danger and emotional strain of combat missions. Produced by the Aerotim team, the film highlights the resilience and professionalism of Ukrainian aircrews operating under extreme conditions.
The king is happily living in his country with his family. The ups and downs in his marital life will increase and he will have to leave the country. He will not give his dreams to his desires. He is ready to go abroad. On the other hand, when he tries to find happiness, the emotional boundaries between him and his relatives stop, which makes him hurt. What will the King decide next?
A new technology pops up, now everyone can see who they were reincarnated from. Erdi tries to find out who he was in his past life while going through an existential crisis.
After coming out of a long relationship, Alper is searching for a fresh start but finds himself in a moral conflict following an unexpected incident at work.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
A former prisoner and his friend, a retired military man, are carrying an unknown cargo in an ambulance to earn money and finally start a normal life. But for the customer, they are just waste waste, because a lot of money is at stake.
The Prophet Joseph Smith is dead, killed by a mob. Enemies of the LDS Church think the church will die with Joseph. In fact, that danger is a real possibility. The crisis is undeniable, and the saints in Nauvoo are in chaos.