The cliché of the sheet, but which gives voice exactly to the sensation of a blocked bubble in which I cannot escape, blocked in my own home I discover my own decor, my memories which I seem to observe on one side are only loops indeterminate. I live in that, in this Phlyctene
After Alex's boyfriend breaks up with him at a wedding, another couple invites him in for a nightcap in their Airbnb's hot tub. When he starts to open up to him about his romantic troubles, they console him in more ways than one. Alex reckons with the feelings for women he's previously ignored out of a belief that living authentically as an out, bisexual male was impractical.
Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...
A man's son becomes involved in drug use and criminal activity in rural New Zealand. The man embarks on a journey to seek assistance from others in an effort to get his son back before it's too late.
Jake a 32-year-old rule-abiding police officer has to solve a murder after a heavy night out drinking and remembers nothing the next morning. Could he be guilty of the murder?
After being dropped from his racing team, Gao Liang wins the "Ivory Mountain Car King" title, where he reunites with skilled driver Li Hongguang and his daughter, Chunxing, whom Gao has long admired. As they train together, a "love-hate" bond develops, and a race to revive Gao’s hometown draws them closer.
After a failed life plan in Berlin, Thilo has returned to his hometown. His first day as a delivery driver in his father's beverage market turns into a road trip through his own past. The trip confronts him with his disorientation and his deep desire for identity and belonging.
Kaveh is an LGBT sculptor. He lives in Iran and lives in isolation because of his sexual orientation. He has a lover named Farhad. Their relationship is not very good. It is Kaveh who is not happy with this relationship, he lives in his workshop because of the repression of LGBTs in Iran. He is making a statue when he suddenly realizes that this statue is talking to him. The words of the statue are not clear and are more like chatter. He breaks up his relationship with Farhad like his previous relationships, because something more than sex requires a relationship. He enjoys being alone more, but now he realizes that Farhad has destroyed the only statue they made together. The whispering sound of the statue increases and every moment Kaveh's mental state is more disturbed, to the point that he works day and night to build that statue. The statue is completed as if the statue is the lost lover of Kaveh. By completing the statue of Kaveh, he becomes a statue.
“If the ghosts can visit our time, we can visit theirs”. This freewheeling tour of German history of the 20th and 21st centuries follows a postmodern artist back to her East German village birthplace – where a discovered skeleton opens up mysteries both personal and political.
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?