A friar, aided by his water-boy son, Watr Boy, attempts to read an oblique decree as increasingly bizarre characters interrupt him. A Neo-Neo-Dadaist work interrogating time, reality, death, and meaning(lessness).
A young Dutch soldier deployed to suppress post-WWII independence efforts in the Netherlands’ colony of Indonesia finds himself torn between duty and conscience when he joins an increasingly ruthless commander’s elite squad.
Set in the backdrop of the 1971 Indo-Pakistan War, the film tells the story of the IAF Squadron Leader Vijay Karnik, and his bravery, patriotism and determination.
Artist Enid Baxter Ryce created an experimental documentary with a musical score by Philip Glass to portray, in moving images, the history of "atmospheric rivers," or streams of water vapor in the sky. Just like rivers that move water around on the land, atmospheric rivers—never visible to the naked eye—were a vital force in shaping the colonization of the American West. Today, the evolving scientific and cultural understandings of atmospheric rivers exemplify the complexity and importance of the stories we tell ourselves about science, climate, and the natural world. This film was created at the Days and Nights Festival held at the Philip Glass Center for the Arts, Science, and the Environment.
Elected in November 1932, as the economic crisis ravaged the United States, Franklin Delano Roosevelt immediately put all his campaign promises into action: it was time for the "New Deal". This bold plan, designed to turn around a nation on the brink of collapse, where unemployment was at an all-time high and the working poor were suffering from the precariousness of the job market, was intended to give hope to a country that had been battered before anything else. Once he came to power, the new president from the Democratic Party immediately passed some fifteen laws designed to revive the economy.
Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.
CIA vs. Bin Laden. 20 years after 9/11 and 10 years after his death. The most revealing documentary ever produced about the 10 year hunt for Osama Bin Laden by the Central Intelligence Agency. We interview former Directors, CIA case officers, military leaders, members of European intelligence services, and US Congressman who played direct roles in the hunt and elimination of the world's #1 terrorist. Many of the people most deeply involved with the hunt and killing of Bin Laden have been reluctant to share their stories until now. There was simply no benefit for these quiet professionals, their families, or the agencies they served to be in the public eye. But they have collectively decided that now is the time - to go on record and tell their stories before it's too late. As far as possible, we will permit testimonies of those who dealt directly with the ex-Al Qaeda leader. His family, his lieutenants, his fighters.
Its a period of civil war. The Beavers, Striking from their hidden Dam, Have won their first victory against Camp Mahn-Go. During the battle, Counselor spies manage to steal the Beavers ultimate weapon, the Glizzy Gauntlet, a device with enough power to control the waterfront. Pursued by the Beavers sinister agents, Epic Man confronts General Beaver. The Beaver Kings most entrusted ally...
Towards the end of WWII, the Navy gave the Kyoto University's physics lab the secret of a bomb that makes use of nuclear fission energy. While doing research to save Japan, the researchers there wonder if they should promote the development of weapons as scientists. Research enthusiast Ishimura Osamu tries to experiment purely but is at the mercy of the time period. His brother, Hiroyuki, also has to face the truth of the war. Asakura Setsu wants only to talk about the future. A story based on historical facts about youth during the tragedy of war.
In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.
In 1948 the James Agee wrote a scenario for his lifelong hero, Charlie Chaplin. Deeply disturbed by the bombing of Hiroshima and Nagasaki, Agee imagined New York destroyed. In the ruins, Chaplin's Little Tramp builds a shack in Central Park. Gradually a small community of the dispossessed grows up around him. For Agee, his story was a thought experiment about how one might start again in the aftermath of disaster, to go beyond capitalism and just how hard that is in the face of our modern technological world. The film focuses on his imaginative journey and what it might mean for us today.
A rare insight into the military career and personal life of Germany's most famous Second World War commander, Field Marshal Erwin Rommel. Told from the perspective of his son Manfred, it tells what happens when a career soldier runs afoul of a dictator. Highly decorated and one of Hitler's favourite commanders in the early years of World War II, the 'Desert Fox' was something of an enigma. Never a member of the Nazi party, Rommel detested the blending of politics and war. He would quickly discover that both were always in play in Hitler's Germany. Greg Kinnear narrates.
On September 13, 1971 the State of New York shot and killed 39 of its own citizens, injured hundreds more, and tortured the survivors. Elizabeth Fink tells the story of the Attica prison rebellion, and how she exposed the cover up.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González