Chronicles the little-known story of Allied airmen imprisoned at the Buchenwald Concentration Camp in the waning months of World War II. In the summer of 1944, 168 airmen from the US, England, Canada and other Allied countries were captured in Paris by the German Gestapo and sent to the infamous "Koncentration Lager Buchenwald" in Germany. Falsely accused of being "terrorists and saboteurs," the airmen faced a terrifying fight for survival and a race against time to escape their execution. A controversial moment in history that their home countries tried to hush-up, Lost Airmen of Buchenwald tells this harrowing story through interviews with seven surviving members of the group, including their heroic commanding officer. The film follows them from their days hiding with the French Resistance to the darkest corners of the Holocaust, where they struggled to survive as Germany collapsed under the weight of the advancing Russian and Allied armies
A flawed Army General attempts to guide an impossible African country through a viciously strained era in this first of its kind, authorised biopic, based on real events.
The warmhearted story of Polish immigrant and mathematician Stan Ulam, who moved to the U.S. in the 1930s. Stan deals with the difficult losses of family and friends all while helping to create the hydrogen bomb and the first computer.
Mary is an ambitious Jamaican woman determined to live a grand life; her adventures take her across oceans and eras, from a battlefield of the Crimean War to a contemporary nursing home, and many times and places in between.
Fighting for Respect captures the plight of African American soldiers who fought in WWI, receiving the Croix de Guerre military decoration from France, while still fighting discrimination and hatred at home in America.
First feature-length documentary about the Archangel Michael in the annals of cinema, with large ensemble cast and multiple story lines in five languages. Filmed on location in eight countries.
Between June 1940 and March 1943, the 1,200 kilometer long demarcation line broke France in two. For almost three years she controlled the daily newspaper of 40 million French people. In the north the zone occupied by Hitler's soldiers, in the south the zone administered by Marshal Pétain's Vichy regime. This film lifts the veil in this theater on the shameful mistakes of the collaboration, but also on the most courageous and noble deeds. Archive images and film recordings at places where the border used to be crossed are alternated with interviews with the last witnesses of this time.
This documentary shows that the music community in Bandung does not just gather, but embraces each other. Even with their limitations, they can unite into a solid and creative community to conquer all negative views of the general public in the past. All challenges and obstacles were overcome together to later grow into a music industry that we know today. It is this long-standing concern that is trying to be revived through the inspiration of previous successes. GOR Saparua is a complete proof of the unyielding spirit displayed by Bandung music activists. Even Alvin, the director noted that the music event in Saparua had existed since 1963. It was started by Aneka Nada, a band that was strengthened by Sam and Acil Bimbo as well as Guruh Soekarno Putra. Until then its use is maximized by the next generation. Especially the 90's.
Often discussed as an urban legend or a failed architectural project, Solomon Riley Presents Negro Coney Island redresses the erasure around Riley’s completed amusement park for the Black Residents in Harlem and the Bronx in 1924 on Hart Island. Working across archives, contemporary footage of Hart Island, and speculative interviews with key Black cultural producers of the time, including Riley, the film reimagines what we know about Negro Coney Island and its legacy with New York City’s still active potter’s field, Hart Island.
David Whitmer, Oliver Cowdery and Martin Harris face ridicule and persecution when they claim to have seen angels and hefted golden plates containing ancient inscriptions.
April 26, 1945. Ferruccio Razzini, fifteen-year-old from Pisa, fights in defense of the Italian Social Republic without knowing that Mussolini is already dead and that Italy has just been liberated. In his diary he tells the story of his father, a fervent fascist, and that of his two sisters, one married to a fascist and the other to a communist partisan. After Hit the Road, grandmother, Duccio Chiarini, with a refined stylistic code able to keep the narrative in balance between comedy and tragedy, investigates another side of the history of his family starting from the pages written by his great uncle.
A magical tiger stalks like a phantom. Because no one ever catches more than a glimpse, it is spoken of with the highest esteem. This allegorical fiction starts Pallavi Paul’s attempt to describe systematic police violence in Delhi on the basis of individual events suppressed from official history. She does so in an associative edit of texts, images and sounds, making effective use of the scattered fragments of documentation still extant, including hurriedly safeguarded video and audio recordings of eyewitness accounts as well as those of the police and security forces.