Something has gone wrong for a typical Singaporean family. After a man loses his job and the respect of his wife and teenage son, he tries to reconnect with his family by taking them on a trip to visit a childhood haunt. Now abandoned and falling apart, the place is nothing like he thought it would be—especially not the ghosts of his past lying in wait.
Although this is the first holiday season in over twenty years that Trans-Siberian Orchestra isn’t touring – and we’ll miss seeing each of you out on the road – we’re excited to keep the TSO tradition alive in a new way through this 90-minute livestream special.
In this unique event, audiences around the world will have the chance to enjoy Katie Melua and her band perform the entirety of Album No 8, as well as classics from her extensive catalogue, from one of London’s most iconic venues. Joining Katie on stage will be Tim Harries on bass, Mark Edwards on keys, Zurab Melua on guitars, Joe Yoshida on drums and Nina Harries on double bass and backing vocals.
The Gert & Hermien Story shows the rise and fall of one of the most popular singing duos in Dutch history: Gert & Hermien Timmerman. Their career has seen great heights and deep valleys. Their personal lives, which were marked by scandals, were always widely covered in the tabloids. Daughter Sandra, along with some other intimates and confidants of Gert and Hermien, is our guide in the unlikely story of her narcissistic, manipulative father and driven mother.
Inspired by the viral success of Tony-winner Laura Benanti's #sunshinesongs, this feel-good docu-special spotlights a talented group of high school seniors as they give show-stopping performances from home to capture their 2020 experiences.
Just before the Covid surge, a tour through futuristic carnivals of antiquity and the latest versions of things in São Paulo before the outbreak. Cars, bicycles and vehicles powered by petrochemicals still take one last ride in normality. In another parallel world, Carnival takes place in its various forms.
“On June 12th 1942, the Night Witches received their first baptism by fire. They were injected with the blood of the vampire bat, to see in the dark. They flew in wooden planes. No radar or radios. They had to be magic, they must have been drugged, or witches, or magic, to see in the dark. They were aged 17 to 26, the Night Witches. They dropped 23,000 tonnes of bombs on the fascists. ‘Be proud, you are a woman.’” Weaving a gothic-fantasy of the all-female Soviet WW2 bomber pilots the ‘Night Witches’, Membering the Night Witches presents an auto-baptism and auto-fertilisation calling for urgent antifascist liberation from our toxic selves. The intense improvised live performance is a noisy hymn for impossible queer longing, evoking psychic-political spirits from the undercurrents of transness, ecstasy and Christian mysticism.
Drew’s new film "A Tuning" is an enticing cacophony of sound and vision, which looks to decipher messages from our world and worlds beyond. As in many of Drew’s works, music and sound are powerful and important; they magically transform our sense of placement, folding the passage of time. Drew uses the film to explore his preoccupation with the power of improvisation, how melodies can betray the messages of the cosmos, how music can be telling. Text is significant throughout, taking others’ often historic words and using them to embody our fears, “they long believed that the moon moved, followed them, or often ran this and that toward or away from it”.