Miranda Hart and the cast of her sitcom come together to celebrate the show's tenth anniversary with a music-filled, star-studded spectacular from the London Palladium.
Like a love song to differences, Turu, the Wacky Hen tells the story of a creature who, due to her particular appearance, becomes the object of ridicule for the rest of the henhouse. Her wiry legs and featherless back don’t startle Isabel, an ex music teacher who picks her for being so special. Turuleca doesn’t lay eggs because her hidden talent is another: she talks, she sings and she dances, giving it her all. Turu, the Wacky Hen is a full-color, animated party that invites us to move our bodies to its musical numbers, making us sing verses that have the power to turn us into children once again, if only for a little while.
This jubilant musical celebration tells the story of South Africa and its people through music, song and dance. From the potent rhythms of tribal music, the intricate steps of gumboot dancing, to the rousing full-throated joy of Gospel and the powerful, pounding energy of Kwaito, Africa Umoja is a musical celebration of South African song and dance that will delight and enthral audiences of all ages.
SET 1: Martian Monster > Buried Alive > AC/DC Bag > Halley's Comet > Prince Caspian > Sparkle > Axilla[1], Maze > Fluffhead > Rise/Come Together SET 2: Punch You in the Eye > Wolfman's Brother > Light > Twist > Soul Planet > Mercury > Possum SET 3: Send in the Clowns[2], First Tube[3], Auld Lang Syne[3], Sand[3], Drift While You're Sleeping[3], What's the Use?[3], You Enjoy Myself[3] ENCORE: Tweezer Reprise[3], Rescue Squad[4] [1] Contained Axilla II ending. [2] Phish debut; with lyrics changed to "Send in the clones" and performed a cappella. [3] Clone dancers on additional vocals. [4] Debut; only Trey.
The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2019 concert was conducted by Kirill Petrenko and featured soprano Diana Damrau. On the programme: George Gershwin: Girl Crazy - Overture, Richard Rodgers: If I loved you from "Carousel", Leonard Bernstein: I feel pretty from and Dances from "West Side Story", Kurt Weill: Foolish Heart from "One Touch of Venus" and Lady in the Dark - Symphonic Nocturne, Stephen Sondheim: Send in the Clowns from "A Little Night Music", Harold Arlen: Over the Rainbow from "The Wizard of Oz", George Gershwin: An American in Paris, Frederick Loewe: I Could Have Danced All Night from "My Fair Lady", Franz Waxman: The Ride of the Cossacks from "Taras Bulba."
The singer-songwriter performs live at London's Central Hall Westminster in a concert to ring in the New Year featuring some of his most popular hits. The performance continues after the traditional fireworks display with one of Craig's famous TS5 sets.
A documentary about the 2019 Polymorph Bodyshop surrealist exhibition that was showcased in Atlanta, GA and Birmingham, Alabama. It crosses footage of the exhibit and live performance with surrealist games.
The New York Philharmonic celebrates the dazzling orchestral world of Stephen Sondheim in a program hosted by Bernadette Peters, with special guest vocalist Katrina Lenk. Conducted by Alexander Gemignani, the concert features some of Sondheim’s most beloved works, including suites from Sunday in the Park, Into the Woods, Sweeney Todd and more.