Smejko and Tanculienka are in their turn the fifth film entitled Happy Birthday! they find themselves in the theater of the dreaded director Rakabas, where they have to show and play their best songs. However, this is not easy, because Rakabas does not make it easier for them at all. He even held the other actors into the cell, provided that if the show wasn't successful, he would close them. Smejko and Tanculienka will do everything in their power and in addition to the famous well-known hits, they will also play the latest songs such as Treadles, Sheikh Hoja, Gundululju, Fairy World and Wolf and Cat. You will find out how it will turn out and what surprise they will prepare to Rakabas in the jubilee fifth film Happy Birthday!
In 2019, Kiyoshi Hikawa, the prince of the enka world, celebrated the 20th anniversary of his debut. This is the first solo performance of Osaka-jo Hall on September 6th, his 42nd birthday.
We'll discover exactly what happened in the studio when they were recorded; what inspired them; the cultural and personal circumstances; and crucially, the drama that surrounded them as they were created.
Raymonda is betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him…
While the world around it has changed dramatically, The Rainbow Bar and Grill has remianed as one of the last bastions of true Rock n' Roll on Hollywood's famed Sunset Strip. Legendary musicians recount their stories from the iconic venue.
With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor Emmanuelle Haïm adds to her impressive Erato catalogue of the composer’s works. The imaginative production, by Jean Bellorini, was seen at the Opéra de Lille in Autumn 2018, and the cast features soprano Jeanine De Bique in the title role, countertenor Tim Mead as her husband Bertarido and another countertenor, Erato’s rising star Jakub Józef Orliński as Unulfo. Reviewing the production, Le Monde noted Emmanuelle Haïm’s “intimate connection with this music, which she knows how to unleash in all its violence, passion and heart-wrenching expressivity.”
The K-Pop phenomenon is shaking up the pop world. For the first time ever, there is a serious challenge to the west’s domination of the global music industry. Leading the way is the biggest boy band in the world, BTS. But how has this happened? Music journalist James Ballardie travels to South Korea to uncover the secrets behind this worldwide success story and to find out how, in just 20 short years, the music industry in the country came from obscurity to become a major player on the world stage. In the summer of 2019, BTS played two sold-out performance at the UK’s most icon venue, Wembley Stadium. Their catchy pop songs, bombastic beats, good looks and natty dance moves have captivated young pop fans worldwide, and sent them to the top of the charts in the US and beyond. Can K-Pop seriously challenge the west's domination of the global music industry? Music journalist James Ballardie travels to Seoul to meet Soo-Man Lee, the Svengali-like figure behind the phenomenon.
A recital by concert pianist Martin James Bartlett on 25 October 2019 at the Louis Vuitton auditorium in Paris, performing works by Bach (arr. Busoni, Hess), Mozart, Schumann (arr. Liszt), Liszt, Granados, Prokofiev, and encores by Gershwin and Schumann. Part of the Fondation Louis Vuitton's "new generation" recital series.
Haitian-American composer Nathalie Joachim is the co-artistic director and flutist of the Grammy-winning contemporary chamber ensemble Eighth Blackbird, and one half of the art-pop duo, Flutronix. She's worked with Bryce Dessner, Bonnie "Prince" Billy, Richard Reed Parry, Miguel Zenón, and the International Contemporary Ensemble as well. Her latest, with Chicago-based string ensemble Spektral Quartet, is "Fanm d'Ayiti" (Women of Haiti), a joyous and magic-infused work celebrating Haitian song, and how women are "the driving force of life, of politics, and social change." (Joachim, in an interview with I Care If You Listen.) Joachim and the quartet play some of "Fanm d'Ayiti," in-studio.