John Person tells the story of how he fell into his coveted job by describing the life of Anatole, the man who occupied the position originally and cherished nothing more in his meager existence than his overcoat.
It's four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore 'undercrust,' crashes the party to avenge her sister's death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It's not long before a naïve pussycat lover, gay drug dealer, smokin' hot preacher's daughter, squeaky-clean senator's son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each 'bad kid' pits one against the other, and one by one each falls victim to absurdly gruesome 'accidents' while trying to escape.
Jennifer Shannon is a garage sale shopping expert whose sharp observation skills allow her to uncover valuable antiques, as well as help her local police department investigate crimes. While arranging a charity garage sale event, Jennifer finds a body in the attic of a local residence. While working to crack the case, Jennifer offers support to her loving husband, Jason, whose upcoming birthday has sparked a mid-life crisis. As Jennifer prepares to buy him the perfect gift, she receives an urgent voicemail from Tina, pleading for her immediate assistance. When she responds, the garage sale-expert-turned-sleuth finds herself standing face-to-face with a killer.
The body of Kou Fujisaki, who fell to her death, is discovered in front of an old building in West Shinjuku. Chief Sakamoto notifies Ushio, who arrives at the scene. Ushio thinks that this must be a murder, but according to Yamaji, who was at the scene before him, an eyewitness testified that Kou had jumped off the roof of the building, killing herself. Kou is someone who has lingered in Ushio's memory - as a suspect...
After traveling across a wasteland of pestilence and famine in search of a mysterious object, a lone woman (Rachel Miller) finds refuge at Seven Bowls Tavern. It becomes apparent after sharing some drinks with a shadowy figure (Krys Bailey) that her arrival was not mere chance. As his stories about the Arte Factum unfold and draw her in, her presence at the tavern begins to attract the horsemen. One by one they ride in and fill Seven Bowls until she decides it’s time to bid them all adios. Wages of Cine presents an anthology of twelve tales that transverse space and time following a mysterious object known as the “Arte Factum”.
A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.
A socially responsible media mogul. Saving the environment. Global unity. Social media. All good things, right? Then how can such a good thing cause a global apocalypse?
Barcelona, Spain. Adrián Doria, a young and successful businessman accused of murder, meets one night with Virginia Goodman, an expert interrogation lawyer, in order to devise a defense strategy.
With help from Meme Oshino, the apparition specialist, Koyomi defeats the three powerful vampire hunters: Dramaturgy, Episode and Guillotinecutter. Koyomi takes back all the limbs of Kiss-shot Acerola-orion Heart-under-blade in order to become a human again.
A murder takes place in a suburban high school. A mentally defective detective Delgado Rodriguez and his partner, the German ex-soldier-veteran Stilenacht, begin a wide-ranging investigation. The comically hapless duo go undercover, roaming the halls among the students, looking for clues. They have no idea what they're getting themselves into. Nothing is certain in this case. The film is full of pop-culture references and allusions, relentlessly peppered with corny puns that sometimes become an integral part of the plot and story. The film takes a similar approach to the mixing of genres; the crime film premise crosses into the realms of fantasy and horror in the course of a plot that is often self-contradictory.