What if the gateway to Agartha would have been relocated to the very center of a billion busy alpha city metropole where fashion and financial districts meet? Horripilation? Not at all. Perhaps when the Italian sculptor Arnaldo Pomodoro envisioned his Solar Disc, an extraterrestrial intelligence was capable to align diverse terrestrial forces in order to bring them locating the magnum opus there where it actually is, concealing the very toran to that secret ruling world, in disguise among passer-bys quintessentially too blind for even just inquiring about the identity of the ruler of the Earth. Until a day, a female street performer declaims in the premises of the Big Disc the prologue by the French inquisitive mind of René Guénon to the narration about the King of the World. And the mechanism starts moving opening up the underground secrecy for everyman.
The Vision Machine was filmed at the factory of SIGMA Corporation, a renowned global brand of lenses for photography and cinema production. Like most such manufacturers, it is based in Japan. Using lenses manufactured by the factory, Young filmed their female employees as they performed their usual tasks on the production, assembly and testing process. No men are featured, and while the piece alludes to the genres of documentary or corporate video, it was filmed and edited to suggest a speculative fiction: a lensmaking factory run (and perhaps owned) by women.
After 'rescuing' Princess Futura by blowing up her homeworld, Kid Conrad must make things right. A proof of concept for a television show-video game hybrid.
Pushandro, a petty criminal, decides to steal four kilos of unicorn cocaine from his dangerous boss. Now with a price on his head, Pushandro finds himself hunted by the intrepid bounty hunter named Vash.
Vahn wanders the wastelands of dead cities, surviving and staying hidden from the tyrannical AI overlord who subjugates the evolution of the human race. But, he may not be able to keep his own Awakening hidden much longer, as it rises from deep within.
In the future, the planet is devastated by pollution. Five-year-old Anahí accompanies her mother to exchange scrap metal for some drinking water. On the way home, an evil figure takes possession of the precious liquid, triggering a tragic end for this mother and daughter.
Cracolice, a seaside village in the Tyrrhenian Sea, is sadly known in the news for an event that broke out in the early 1990s, which has never been denied or confirmed: following the landing of the famous 'poison ships', the young population suddenly stopped growing, creating eternal adolescents. How this was possible still remains a mystery.