In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.
Devon 1940. The boys of the local public school are alerted after a German parachute drop and as members of the Local Defence Volunteers they prepare to put their youthful enthusiasm for war into practice.
The restatement of events and divine interventions during the Iran-Iraq war; a tribute to the missing martyrs of whom there’s nothing left other than their names on the walls of the city . The restatement of the fact that the superpowers’ material weapons is dwarfed against the weapon of faith.
At the close of the Sino-Vietnamese border war, a journalist travels to Lạng Sơn in northern Vietnam—the hometown of his former girlfriend—to report on the situation there.
During a pogrom in Poland on the eve of World War I, a group of Jews seek refuge from the Cossacks. The fugitives hide out in a rural inn, terrified that they may be given away at any moment.
It is 1947, the year of the communist rebellion in Malaya and the British army's SADUSEA (Song And Dance Unit South East Asia) are called to the Malayan Jungle to entertain the troops. The eccentric, bible-bashing Major Giles Flack (John Cleese) is in command of the unit. Flack is accompanied by an ageing, theatrical drama queen, Terri Dennis (Denis Quilley) who hopes to entertain the troops with his flamboyant impressions, but the bored troops find other ways to enjoy themselves.
Everything seemed well for the much-respected officer who was getting married and was just promoted to the rank of lieutenant, before an accident at the training ground cost his life.
A mystery game of light and shadow. The shadows seal around the army's. It is the men of the two extreme parties who shoot at each other, spreading destruction and death.
Paul Cowan's feature-length film combines fiction and reality to tell the story of how William Avery (Billy) Bishop became one of the leading fighter pilots of World War I. By no accounts a biography of Billy Bishop, the film uses a 'docu-drama' approach to show how one person goes from being a brash kid from Ontario to Canada's most decorated military figure.
A neo-Nazi organization is recruiting in the 1980s, and two youths of high-school age join for similar reasons, despite class differences. Thomas is the son of a self-made industrialist father and a scolding social-climbing mother. He attends private school and has a brother who's an accomplished musician, but neither can satisfy mom's constant demands for school and social success. She belittles them, and there's incessant bickering at their table. Charly, a dropout, is the son of an abusive, alcoholic laborer. In the youth group, each finds order, respect, camaraderie, and adults who seem to value them. Where do domestic abuse and sanctioned political violence end?
When Peter went to the war with the Nazis to the front, his son gave him a rhinoceros beetle he captured near his home, which the soldier took with him. Now they have to plunge into battle and fighting to see how the sky becomes black because of the gunpowder and the enemy siege, and hundreds of bullets are circling around them. But they will go back to where someone waits for them.
Dramatic story of the Sarajevo photographer Matthew Samek during World War II. Samek experiences historical events in his characteristic way. He does not like the king, but neither the German occupiers, for whom he coincidentally has to work for. His sense of justice even wins over friendship.
Christine, grieving for her fiancé who was shot down by the German Luftwaffe during the war, is persuaded by her cousin to meet a German prisoner-of-war—a Luftwaffe pilot.
In this tragic story that has an unrealized potential to tug at the emotions, a woman in mourning for her two sons lost in World War I is the only one in her village determined to financially support a war memorial. The village poor have too little money, and the richer are tight-fisted. She has given a whole 15 years of savings -- yet the good priest, for whom she works as a maid, is not enthusiastic about her action because he is worried that the memorial will not remind the villagers of past horrors and suffering but disguise the human cost of war in rhetoric. As the memorial's advocates begin to sustain the day, flashbacks show how the woman's youngest son shot his captain, deserted the army, and came to die of fever while in his mother's care. The priest helped her as much as possible, yet he feels compelled to tell the authorities that her son was a deserter.
Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican.