A peep into the mind of a genius as the To Do List - Short Film director Daniel Melville finally speaks out on the secrets behind the creation of this controversial film.
Dave Evans was a renowned prosthetist, humanitarian and peace activist. A double amputee himself, he dedicated his post-military career to transforming lives shattered by these seemingly never-ending, interchangeable wars. From Syrian refugees in a prosthetics clinic in Amman, Jordan, to the fallout of war in places like Iraq, Dave chose a life of service to others.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
In the midst of the Great Patriotic War, twenty-year-old Pashka returns home from the front to his relatives, having served as a nurse and heroically saving wounded soldiers. At the same time, fierce battles are still going on on the Western Front, and memories from the front overtake the heroine every day in civilian life ... after all, every day in the war is like the last.
On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal
My Father’s War, an animated documentary produced by Humanity in Action, brings to life the experiences of Peter Hein and his son David Hein. As a Jewish toddler in the Netherlands in the 1940s, Peter was separated from his parents and whisked from hiding place to hiding place to escape deportation. From feigning scarlet fever to avoid a Nazi raid, to suffering crippling injuries during a bombing campaign, Peter somehow survives, one day at a time, even as capture and death surround him. Meanwhile, the film also follows Peter’s parents, who themselves must make a series of daring escapes as their hiding places are revealed to Nazi forces by Dutch collaborators. By the end of the war, when Peter and his parents are finally reunited, Peter cannot even recognize them. “I just saw a strange man with long black hair and a little woman who was crying and trying to kiss me. I didn’t want anything from them,” Peter recalls in the film.
In 1810, Joaquim, Ana and their two kids are separated by the imminent Buçaco battle, while Lord Wellington and Commander Masséna prepare their armies.
Ben Fogle uncovers one of the untold stories of the Falklands War - a battle fought by 30.000 British Marines against an Argentine invading force ten times that number.
Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
In 1943, two British intelligence officers concoct Operation Mincemeat, wherein their plan to drop a corpse with false papers off the coast of Spain would fool Nazi spies into believing the Allied forces were planning to attack by way of Greece rather than Sicily.
Alexey Suhanok, a Belarusian stand up comedian, lives through the horror of a next-door war by making edgy jokes on the subject. Alas, this self-defence mechanism doesn’t stop him from having a nervous breakdown of his own.
RANGER, is a true tale of war told by Sergeant David Waterhouse recalling his service in Iraq and Afghanistan. Seen through the eyes of a Special Operations soldier, this first hand account documents the brutality of combat, and the raw nature of killing and death. It's a journey of innocence lost and the scars of war etched into the minds of service members. An untold account everyone should hear.—Sean James Spencer
This TV documentary offers a poignant look at the partially destroyed bridge from Irpin to Kyiv, which has become a lifeline for people being evacuated from the war-torn city of Irpin. Irpin is a city in Ukraine, in the Kyiv region, located on the banks of the Irpin River, eight kilometers from the capital. As the war continues, Irpin has become one of the most dangerous places in Ukraine, while the partially destroyed bridge has become a lifeline for residents. People evacuated from Irpin are taken by car to the destroyed part of the bridge, while others walk across the river to reach the Kyiv side and continue on to safer areas. The day before March 13, when US and Ukrainian journalists were killed in Irpin, an LTV film crew was at the bridge. Currently, international media are no longer allowed into the city.
Gino Bartali’s legacy endures far beyond his three Giro d’Italia and two Tour de France victories. He was a true hero of cycling, but it was only after his death that it became known that he was also a genuine war hero. He rarely spoke about the sacrifice he had made, and very few people knew that he had smuggled fake identity papers for Italian Jews in his bicycle frame. During his daily "training rides" on the gravel roads between Florence and Assisi, he repeatedly put himself in danger.