A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
One of Cannon Films' two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini's Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom's maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O'Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi's fine musical score, but the film is otherwise anemic.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand to exact violent revenge.
The story of a gentle, unsure young woman who grows in maturity and self-reliance as she travels across the American plains in 1848 in a wagon train with her young husband and his family.
A young Texas Man who saw his father get killed by a group of bandits, decides years later to go to work for the Pony Express. But he is not just working around the country to deliver mail, he is actually finding the bandits who murdered his father.
Katharine Ross repeats her portrayal of Etta Place (from "Butch Cassidy and the Sundance Kid") in this adventure of the fugitive who, alone and desperate following the deaths of Butch and Sundance, seeks help from Pancho Villa in exchange for guns and ammunition.
During a Cavalry massacre at an Indian village, two brothers, searching for their captured sister, rescue a white woman long ago kidnapped by the Cheyenne. They ride for their lives, haunted by the chant of the tribal Death Song.
György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.
This comical western chronicles the silly adventures of a bumbling wagonmaster and his clutzy assistant as they attempt to take seven passengers across the prairie. Among the passengers are two wealthy Bostonians, an aspiring showgirl, a teacher, and bachelor. The story is adapted from Dusty's Trail, a television sitcom.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
A free-spirited Bostonian recently arrived in the West teams up with a crusty Wyoming cowboy to stop a land baron's attempts to drive out a group of small ranchers and take over their property.
Afflicted with a terminal illness John Bernard Books, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son. However, it is not Books' fate to die in peace, as he becomes embroiled in one last valiant battle.
In post-Civil War Kentucky, young David Burnic becomes the unexpected heir to the family secret, a map leading to buried treasure on the Florida isle of Matecumbe.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West-and the Yellow Hands Sioux tribe he left behind, Morgan returns to the tribe's land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.
Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer.