Under Japanese imperialism, Korean national treasure Golden Buddha is stolen. More important to national security, the statue contains vital information concerning Korean freedom fighters and their whereabouts as well as their true identities. The interim Korean government appoints legendary Korean spy Agent Dachimawa Lee to recover the fabled statue and reveal the dark plot behind the theft.
The true story of Alexander Pearce, Australia's most notorious convict. In 1822, he and seven fellow convicts escaped from Macquarie Harbour, a place of ultra banishment and punishment, only to find a world less forgiving.. the Australian wilderness.
The story of three Korean outlaws in 1930s Manchuria and their dealings with the Japanese army and Chinese and Russian bandits. The Good (a bounty hunter), the Bad (a hitman), and the Weird (a thief) battle the army and the bandits in a race to use a treasure map to uncover the riches of legend.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
1870's America. A Chinese immigrant falsely accused of murdering a white woman is viciously hunted down; he'll have to prove his innocence in a time when people of color had "no legal rights" and could be bought and sold for a profit. Railroad to Hell: A Chinaman's Chance explores the exploitation of Chinese workers during the building of American railroads. The workers not only spent long hours, but the work was often dangerous and fatal. The Chinaman is a fugitive on the run, and all odds are against him. While stealing a horse was a hanging offense in the Old West, our fugitive knows that killing a Chinaman is not a crime.
Outside the forgotten desert mining town of Darwin, getaway driver Chooch O'Grady is stranded with a busted car and a bag of stolen cash. He's picked up by J.T., a predatory psychopath who murders Chooch and abruptly disposes of the body, leaving signs on the trail. J.T. and his meth-addicted boss, Archie, butt heads over the incident, but the real tension lies with Archie's girlfriend, Rebecca O'Grady. Her affair with J.T. contains false hope that he would be her ticket to freedom. Chooch's murder is all but forgotten until a quiet Stranger shows up looking for the money. Before he can leave behind the isolation that is Darwin, the Stranger must navigate the bizarre ghost town and bring its outlaw inhabitants to justice.
Bloodied, barefoot, and branded like cattle, a mysterious woman wanders into a desolate frontier town with an aim to kill the son of a bitch that done her wrong.
Bobby Hattaway (Lou Diamond Phillips), an honored soldier, returns home after the American Civil War to find his father's (Stacy Keach) formerly prosperous ranch now dangerously in debt to the town's ruthless leader, and Bobby's childhood friend, Stu Croker (Vincent Spano). Bobby will now face off against his former friend to take control from Stu.
A group of women contracted a strange fever and a former sheriff is responsible for taking them to the hospital in the nearest town, but in their way they will encounter a gang of murderers. His only hope is a woman whose beauty is matched only by his skill with weapons.
Already taking a gamble settling in the uncharted west, the peaceful settlers of a town destined for railroad greatness suddenly find themselves being ruthlessly gunned down. With no law and order to be found, justice falls onto the shoulders of an elderly rancher and an accomplished, but retired, gunslinger.
Joe, a rancher in the mountains of Colorado, has his life of solitude interrupted when his luckless son gets paroled from prison and moves back in with him, bringing his ill-fated ways along.
A white woman is kidnapped from her home by Apache Indians. Traded to the Mojave Indians, she lives as a squaw for 11 years until she is found by her husband. Unfit for society he keeps her in a shack in the desert. Her solitary existence is transformed with the arrival of a Mexican. He befriends her, reignites her self-worth and increases her confidence. He re-introduces her to her husband and leaves. As he is leaving town he is ambushed by her husbands men and there is a gun-battle. Who lives and who dies?
Framed for murder and left for dead, a local legend comes back to make the guilty pay as he seeks revenge on those who killed his family, in this traditional Western about one man who stood against injustice.
Trail of the Spider transposes Western genre motifs and the suppressed racial history of the American west (where one in three cowboys were black or Mexican) onto the transforming landscape of East London. Questioning and re-imagining the Western’s portrayal of the “Vanishing Frontier” , the film extends the metaphor to the material and psychological conditions of a present day city increasingly dominated by volatile financial speculations and private interests.
It is 1886 in South Dakota, and Harrius, a 70-year old wounded wanderer, seeks redemption. Through her encounters with a parched landscape and beings both physical and metaphysical (including a virtual labyrinth of mounds, geisha dancers and her pious lace-maker double, Alma), Proud Flesh is no mere re-visioning of the American Western. It is a meditation on the iconography and gestures contained within the genre itself.