Jack is a wanderer whose aimless roaming leads him to a number of interesting locations and into the company of many interesting people, and despite his fascination with bullfighting he leads a largely peaceful existence. When a crime boss' daughter is accidentally gored to death, Jack is implicated in the unfortunate event and singled out for termination by a seemingly unending army of lethal hitmen. As Jack wages an uphill battle for survival against the harsh desert terrain and a hail of gun smoke and lead, his will to live depends on his ability to exercise his demons and come to terms with the fact that he may not live to see another sunrise.
A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.
High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the town to fight the gunman, but not even his former deputy Harvey (Diamond) is willing to help. Harvey's cowardice infuriates his girlfriend, Helen (Alonso), whose romantic past with both Kane and with the arriving gunman convinces her to pack up and leave town. As the dreaded noon hour approaches, Kane realizes he must stand alone against the coming storm.
Around the classic 1800's Western campfire, Slope and Tar tangle about what's been, what will be, and who may or may not survive the first New Age chat in the Old West.
Chon Wang, a clumsy imperial guard, trails Princess Pei Pei when she's kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O'Bannon, and tries to spring the princess from her imprisonment.
The story of Frank Cassilis and Northmour as both seemingly try to protect the Huddlestone family against mexican separatists while each has their own purposes and agenda.
Valentine Casey is a Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey's love, Adelyne.
Past lives. Dead outlaws. Warm beer. All these await Charley Stone in the afterlife -- and life after death ain't quite what he expected. Charley is reunited with two old friends -- a rifleman named Jake and a philosophizing barkeep, Cole -- as well as a band of ruthless enemies from lives past. Somewhere in the harsh drylands lie the keys to Charley's forgotten past -- a troubled former life as Ben Kane, a Texas Ranger whose ruthless justice sent many outlaws to Hell long ago. Part action movie, part philosophical musing, Hell is Texas is a gothic western that redefines the ghost story -- a harsh tale of redemption, rediscovery, and revenge from beyond the grave.
A cowboy finds himself betrayed by his best friend and must choose between bringing him to justice and alienating the pretty schoolteacher he is in love with.
The Wild West heroine Calamity Jane roams through time. Excluded from history, she revels in lore. “I dreamed it better. I dreamed it big.” North American Western mythology is subverted, celebrating an alternative outsider position. Featuring a scratched and mixed score by contemporary audio artist Michelle Irving.
The First Story is the first film in a trilogy of "westerns." Here the central idea is Power in its various forms, especially as seen overland in the quintessential American West: the big rigs on I 90 and the freight trains crossing Wyoming. It is the contrast of these machines to the broad landscape and animal life that digs at this mythological space and questions what other meanings might be created.
This documentary traces the history of the B-Western from it's silent movie origins to its demise in the early 1950s. The film contains a large number of scenes from early silents and seldom seen films, as well as old photographs of the stars and one-sheet advertisements for lost films.
Midnight cowpoke scrounges the streets of Mike Harris' mean megatropolis, looking for a good time or just a bite to eat. "Hard time living, too young to die. Lord, lord, lord: hard times town."