He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century.
Presented by Paul McGann, The Cavern Club and LA Factual have come together to produce "The Cavern Club: The Beat Goes On" - a unique documentary feature, telling the untold, complete and colourful story of the 'greatest club in the world'.
What separates many denominations of Christianity from each other and what brings them together? “Different Roads To Heaven” interviews priests and pastors from the Baptist, Catholic, 7th Day Adventist, and Lutheran churches to answer and discuss their different roads to heaven.
A former corporate executive fleeing a bad marriage becomes a cannabis farmer, forms a company called Sisters of the Valley and takes on the persona of a nun, Sister Kate.
Who was Franz Fanon and what is his legacy today? Of yesterday and today, documentary maker Hassane Mezine gives voice to men and women who knew and shared with the flint warrior, according to Aimé Césaire's beautiful formula, privileged moments during the struggle but also in a family and friendly context.
It is widely believed that the 9/11 attack was an inside job - but by whom? Many believe it was a political ruse to instigate war with the Middle East and to justify removing many of our civil liberties. Also, since 9/11 we have been placed under a microscope, our privacy removed as we are being watched and profiled by a sinister force with a malevolent agenda. The theories and conclusions that the Government was responsible, though partially true, have taken a surprising new twist - as there may be another explanation, one much larger in scope and much more terrifying.
Revealing the fascinating impact of the ground-breaking Gothic drama Dark Shadows with a compelling blend of rare footage and behind-the-scenes stories exploring the diverse talents of creator-producer-director Dan Curtis.
Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.
Step inside the minds of 16 international masters of photography. They share stories behind their most iconic images and techniques whilst learning their impressions of our world as seen through their lenses.
Jay’s Longhorn was the epicenter of the Minneapolis punk rock and indie rock scene in the late 1970s and sparked the explosion of alternative rock music that followed in the 1980s and 1990s.
"PUSHOUT" is a feature length film confronting the criminalization and miseducation of African American girls that has led to their alarming high school dropout rate and increase into the juvenile justice system.
Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.
In the world of 1970s car racing, Hurley Haywood was cool, calm and collected. A five-time 24 Hours of Daytona winner, three-time Le Mans winner and Trans-Am champion, Haywood was a Hollywood archetype: a strikingly handsome man brought up by a good Midwestern family. Yet Haywood was often overshadowed by racing partner and volatile mentor, Peter Gregg—the Batman to his Robin—whose abrupt suicide in 1980 shook the sport to its core. And yet Haywood had secrets of his own. Despite multiple encounters with women, some that included public appearances alongside Penthouse models, he remained elusive about his personal life. With deft use of archival footage and exclusive interviews featuring actor and fellow racer, Patrick Dempsey, Hurley reveals a greater insight into Haywood’s tightrope walk between career and sexuality, while posing the question—will motorsport ever be ready for openly LGBT racers?
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.