Owen has dreamed of being an astronaut his whole life, but living on Jupiter's moon Europa isn't all it's cracked up to be. One day, on a boring satellite maintenance mission, he breaks free from routine with someone who makes outer space feel just a little warmer.
Happily-ever-after continues for Auradon's power couple as they prepare to say "I do" at an epic celebration with their friends and family, but Hades threatens to ruin it all.
The music video for A.G. Cook's "Idyll," directed by Daniel Swan, creates a surreal, digital dreamscape. It features abstract shapes, glowing textures, and a soft pastel color palette, blending organic and synthetic elements. The video utilizes rapid cuts and rhythmic pulses, creating a hypnotic visual experience that mirrors the song's electronic sound. Swan's use of geometric forms and smooth, flowing animations evokes a futuristic, artificial landscape, reflecting the tension between nature and technology. The result is a mesmerizing, otherworldly journey through a meticulously crafted digital world, perfectly complementing A.G. Cook's hyper-modern music.
The film was built around «a musical composition about (im)possibilities», a collaboration between a Moscow-based sonic artist Stas Sharifullin and Rupert Clervaux, a contemporary English poet, composer and sound engineer. The piece and lyrics itself have become a starting point for the final artwork: a study of borderlines between the mechanisms of recognition and non-recognition where abstractions are being intertwined with concrete images, and personal memories are being blended with the thoughts of the global. The film contains footages from the director's personal family archive, as well as sequences created with some experimental video and animation techniques. Thus, the "private" forms the "poetic", weaving the fabric of the film's narrative.
Breastmilk comes quietly into the world at the time of birth to raise newborns. Sometimes they go even further and nourish more little lives through milk banks.
Artist Enid Baxter Ryce created an experimental documentary with a musical score by Philip Glass to portray, in moving images, the history of "atmospheric rivers," or streams of water vapor in the sky. Just like rivers that move water around on the land, atmospheric rivers—never visible to the naked eye—were a vital force in shaping the colonization of the American West. Today, the evolving scientific and cultural understandings of atmospheric rivers exemplify the complexity and importance of the stories we tell ourselves about science, climate, and the natural world. This film was created at the Days and Nights Festival held at the Philip Glass Center for the Arts, Science, and the Environment.
War, epidemics, resources scarcity and social collapse turned human beings into deformed stone figures trapped to their worst vices. Suddenly, a flower appears and sets one of the stone walkers free from isolation.
Pil, a little vagabond girl, lives on the streets of the medieval city of Roc-en-Brume, along with her three tame weasels. She survives of food stolen from the castle of the sinister Regent Tristain. One day, to escape his guards, Pil disguises herself as a princess. Thus she embarks upon a mad, delirious adventure, together with Crobar, a big clumsy guard who thinks she's a noble, and Rigolin, a young crackpot jester. Pil is going to have to save Roland, rightful heir to the throne under the curse of a spell. This adventure will turn the entire kingdom upside down, and teach Pil that nobility can be found in all of us.