An ethnographic exploration of women’s collectives in the village of Shiv Nath in Himachal Pradesh that has empowered local women since the 1980s, showcasing their journey towards social and economic empowerment and resilience through the narratives of its women.
One evening, as Ludvik is about to go to bed, he notices that a painting, once owned by his grandfather, mysteriously begins to move on its own. The next day, Ludvik shares the unsettling event with his friend Amund, and together they decide to investigate the painting's origins. Ludvik's grandfather had lived in an old cabin deep in the woods, that had been abandoned since his passing. Determined to uncover the truth, Ludvik and Amund venture to the cabin, only to discover secrets that should never see the light of day.
Vinicius is a young cellist who lives in the far east of the metropolitan region of São Paulo and is a member of the State Youth Orchestra. He talks about the contrasts he experiences every day as a musician in Latin America's largest city, the prestige of playing at the Sala São Paulo, one of the best in the world, and the human degradation that surrounds it, individual and collective artistic expression in an orchestra, the sublime of the concert and the harsh reality of life on the ground, about the continuous search for erudition, the role of his teachers in his career and the friendships and lessons he has learned along the way
A documentary detective film about the construction of a 870 kilometres long highspeed railway line that started with a dream to connect the Baltic States to rest of the Europe when in 1991 Estonia, Latvia and Lithuania regained their independence from Soviet Union. Filmmaker Kārlis Lesiņš becomes a ‘citizen-investigator’ and goes on the road to find out why after 30 years and with only few years before the intended launch of the Rail Baltica railway line, the construction of this EU-funded project is significantly behind the schedule, over the budget and may never be finished at all. Kārlis follows the trail of Rail Baltica project, trying to get the answers - what has happened and what is happening? Traveling through all the involved countries, he meets officials, military personnel, investigative journalists, people whose land will be expropriated, employees implementing the project and potentially benefiting entrepreneurs, who open up to him with their versions of the story.
Featuring never-before-seen footage of the band and the legions of young fans who helped fuel their ascendance, follow McCartney, John Lennon, George Harrison and Starr as they land in New York City in February 1964 and solidify their status as the biggest band in the world.
A collage of images, thoughts and letters that seek to find the meaning of "ugliness" seen through time. The film pays an homage to Jean-Luc Godard's film-collages such as "Histoire(s) du cinema" (1988-1998) and "The image book" (2018) using different sources from film and literature to create a discourse about ugliness.
"This Search for Meaning" is a documentary by the British band Placebo that delves into the band's creative journey and their exploration of existential themes. It chronicles their musical evolution, focusing on how they've used music as a medium to confront personal struggles, social issues, and deeper philosophical questions about life, identity, and purpose. It provides insight into how the band grapples with the search for meaning in a chaotic and complex world.
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.
Attila Baukó, aka Azahriah is one of Hungary's most famous singer, who filled the biggest sport arena of the country with three consecutive concerts. But this film is not a concert film. It is not a music documentary. Nor is it a traditional portrait film. We are Azahriah is the story of a real and an imaginary journey inspired by Azahriah's life and songs.
A group of delightful teenage girls who have all fled to Germany find their own creative ways to overcome hidden discrimination in a film about friendship, sisterhood and living your dreams.
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
Following in the footsteps of the Hamburg film director Hans Schomburgk who travelled through the German colony of Togo from Lomé to the north with his companion and actress Meg Gehrts in 1913, Jürgen Ellinghaus screens the footage shot then at its locations in modern-day Togo. Schomburgk’s affirmative images show slave labour, humiliation and the arrogance of the colonial power. The material is contrasted by Gehrts’ romanticising diary entries and other colonial reports which often testify to a horrifying coldness.
Widely regarded as one of the greatest Rugby League players ever, kiwi hard-man Mark Graham was feared off and, on the field, though little knew the real man or the destruction behind his success. SHARKO, portrays an intimate look at the life of a father, a son and the cost of greatness.
In 2019, a historic trial is held in Paris against three top managers of France Telecom for moral harassment that changes the way of seeing labor relations in the world. The chain of suicides generated by the company’s human resources policies generated a debate that the film has the privilege of registering as a sole witness from within the Courts during the Process.