"We Are Grand Canyon" is a heartfelt film, welcoming visitors to Grand Canyon National Park from those who have called it home since time immemorial – Grand Canyon's 11 tribal communities. A project several years in the making, "We Are Grand Canyon" is a joint creation by the Intertribal Working Group, Grand Canyon National Park, and Grand Canyon Conservancy, and was filmed and edited by Ryan Christensen of Bristlecone Media. Film Credits are listed in the transcript below the video player.
Chef and rapper Big Zuu makes a pilgrimage to Mecca on a personal spiritual journey to try and understand more about his faith and what it means to be 'a good Muslim'.
Trolley parks were born when trolley companies started adding picnic areas, playgrounds and carousels at the “end of the line” to increase ridership on the weekends. Visit the last remaining trolley park on the West Coast - Portland Oregon’s Oaks Park - which includes the oldest roller rink in the USA.
“Woven into the film are attempts to understand the docklands as a meeting place between different ecologies, enclosures and epochs, as a point of entanglement of the city and world. The film looks at ways to describe and embody these enmeshed histories from the legacy of police persecution of seaman boarding houses and Indian dockworkers known as lascars to the traces of early Chinatown in Limehouse and the experiences of London by Ayahs and Amahs, predominantly Chinese or Indian nannies brought back from the colonies and abandoned in the city after the voyage.” (George Clark)
Many of us experience sexual desires in many different shapes and forms, yet there continues to be a certain stigma about expressing them openly. Adult worker, Andy Lee, and his co-workers share their own insightful and interesting perspectives on the adult industry in a bid to inspire people to open up to each other, and to further shed some light on the frequently misunderstood adult industry.
The untold story of the fastest man in the world, Butch Reynolds, whose legendary career was derailed by a faulty drug test in one of the greatest injustices in American sports history.
Four young people on the cusp of adulthood prepare for one of the biggest nights of their lives – their Bar and Bat Mitzvah – balancing culture, religion and the chance to party.
As she goes through her second cancer, a transgender mixed martial arts champion rethinks her life. Viviana González, known in the street underworld as La Karateca, continues without defeats while teaching other people how to defend themselves.
The 1975 Metropolitan Championship was, for River, more than the conquest of a title; it marked the end of an agony that required the efforts of historical figures of the club. In the midst of a political and economic crisis, the film documents the tensions and challenges that had to be overcome in order to achieve the yearned-for lap of honor.
Fabio Zurita followed Osvaldo Bayer with his camera for 30 years. The voiceover (narrated by Diego Capusotto) tells the various stories that the director would have liked to tell about his life and struggle.
One of Switzerland’s most prominent contemporary artists, Renée Levi has opened two exhibitions and made a public art installation in September 2022, in Istanbul. Levi was born in Istanbul in 1960 and moved to Switzerland when she was 6. To her, this city has come to mean her childhood and the homeland of her parents. Especially in the last decade Levi proved prolific with her institutional exhibitions in France, Germany and Italy, and she was particularly praised for her exceptional public art projects in Switzerland. All throughout her oeuvre, Levi has come to emphasise her city of birth and her Sephardic heritage. One of the rare leading woman figures in abstract expressionism, she is also known for her way of naming each and every one of her works after a woman’s name.
‘Tunisia. A word I have trouble articulating, when I want to tell it to my son.’ Dhia, a 29-year-old filmmaker, left Tunisia after having taken part in the Revolution. Exiled to France, he’s worried about transmitting his stuttering to Elia, his two year old son. In his pursuit to overcome this challenge, Dhia embarks on a journey of hypnosis and speech therapy sessions. Yet, as these sessions unfold, it is evident that the issue isn’t managing a fluent speech so much as figuring how to talk to Elia about Tunisia, his home country.
Ramang is a legend with a story that never ends. But behind a number of myths about him, his love for football should always be admired. The public gasped when FIFA commemorated the 25th anniversary of Ramang's death with a special article on their website. And that's where the initiative to produce a feature-length documentary, "Pasukan Ramang", emerged about 10 years ago. The intention was clear: to preserve the memory of Ramang. We barely have long documentaries about sports legends from this country. Because of that, Indonesia Sinema Persada have the courage to start it. And hopefully this initiative will give birth to other initiatives so that we have a special record of figures who have contributed to the world of sports in Indonesia.
They come from all walks of life and have lived for almost a century. They have lived through the upheavals of history. They are funny, moving and rebellious. They surprise and amaze us. Yet we rarely hear their voices. This film is an invitation to travel across France and meet them: the Old People.