A collection of personal footage from the end of 2024. A mix of private holiday scenes and cold city cinematography, in differing video quality. You can see it as a creative video diary.
The film accompanies Jacques Palminger (Studio Braun, Fraktus) and Carsten Meyer (aka Erobique) on their music theater project Songs for Joy, which was created in May 2024 in collaboration with the Deutsches Schauspielhaus on the Veddel and was celebrated in 2 concerts in front of a full house on the big stage.
In 1940, as ever more countries lined up on either side of burgeoning global conflict, Italian migrant families in Australia were forcibly separated. While the men were rounded up and imprisoned in internment camps, the women were left to carry on alone in isolated pockets of community in suburbs like Carlton. Having little more than one another for company and the generations of tradition they had brought with them, these trailblazers would go on to transform the country they made home. In the wave of immigration that followed the end of World War II, Italian women were once again at the forefront of rebuilding the lives of their families. In the process, they left a lasting influence on Australian culture, permeating the realms of fashion, business, community leadership and more.
In the southernmost region of Chile, a handful of villagers survive another winter, together with their dogs and cattle, in the midst of a nature as cruel as it is overwhelming.
Death as non-existence, non-being, or the absence of life has been a subject of human interest for millennia. Poets, philosophers, prophets, and hermits have now been replaced by filmmakers, influencers, cryonicists, and evolutionary biologists in the search for the quintessence of life and death. Zoltan Istvan runs a cryonics laboratory and is running for president of the United States with the demand that immortality be included among fundamental human rights. In Russia, a mass festival dedicated to the cult of death is traditionally held. Dāvis Sīmanis' film essay reveals the twists and turns of man's age-old desire for eternal life. It uncovers the metaphorical and fetishistic representations of death and the mechanisms by which we come to terms with our own mortality.
War has ravaged the Ukrainian city of Bucha, whose residents have endured unimaginable hostility and suffering. If hope remains a faint glimmer, the will to survive still shines through in this powerful and unflinching film.
A powerful record of grief, community and ceremony in which the renowned Indigenous actor is laid to rest on his Homeland of Gupulul in Arnhem Land, NT.
With unparalleled access to America’s most popular plantation houses, archaeologist Lauren Cudmore goes on a journey to uncover why millions of tourists continue to flock to these sites, while conveniently forgetting their horrific past.
A queer voyage along the labyrinths of dreams, archives and lived histories, Roohrangi navigates the real and the imaginary – traversing the filmmaker’s encounters in a gay-cruising forest-reserve as he retraces the memory of his grandfather’s leucoderma-ridden face. A face on whose white-and-brown patches, he saw a forest of miraculous trees.
Both vilified and vital to peace, Gerry Adams breaks his silence in this landmark documentary, tracing his journey from teenage activist to key architect of the Good Friday Agreement, and revealing the personal story behind one of modern Ireland’s most controversial and transformative leaders.
Invisible People is a multi-layered depiction of the unique Japanese contemporary dance Butoh that flows between revolt, eroticism, trance, prayer, ancestral experience, and physical anonymity. The film gradually drifts away from its core issue and becomes a general portrayal of life itself, with all its unforeseen strokes of fate and strange micro-connections.
With anger and melancholy, the director describes her home in Chile. The former natural paradise is now covered by monotonous pine forests - alien, thirsty, waiting for the next fire.
In 1987, a film school was founded next to a working-class town in western Cuba. For over three decades, hundreds of film students documented the lives of its people. Qué tiempos aquellos takes us to Pueblo Textil to explore what these memories mean today, what emotions they stir, and how they transform over time. A documentary about memory as both personal and collective experience.
Miguel and his family are preparing to emigrate from Cuba to Italy where his mother already lives. While they wait, they begin to take the first step in the life of every migrant: learning the language of the country they want to go to.
Under the shadow of a regime frozen in time, two young Cubans find refuge in a lair of iron and gears. There, a strange rivalry emerges against an invisible presence that, in its silence, marks every aspect of their existence.