A waterborne disease ravages a town, the affliction slowly morphing you into an octopus. With the societal hatred towards those suffering building, a couple have the limited choice: afford the medication to carry on living, or drink the water and suffer being shunned.
7 years has passed since Heather and Morgan survived the terror in Hotel Fear. But the nightmare is not over. Hotel Fear is about to re open and Heather who is now a very successful author has been asked to return to where it all began. Waiting within the walls is Travis McLennon. Heather finds herself once again fighting to survive only this time Travis is coming for her and no where is safe.
Henry Adams, a socially awkward man seeking help for his condition accepts an invitation to a self help group that is more than it seems. Danger is around every corner as Henry goes deeper into the treatment.
A group of colleagues crash land on a mysterious island that they cannot escape. They discover they are not alone when they encounter an array of blood thirsty creatures and dinosaurs out to get them. Will they survive the island?
Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.
When wildlife photographer Tara returns home from a photo trip to the California mountains, she's beset by violent agoraphobia. Her boyfriend Matthew tries to get her into treatment as she escalates episodes of self-harm, convincing herself that her house has become home to a dark insect brood.
Derek and Mack travel to the remote mountain town of Crestline to record an album with rising star, Faedra. Mack quickly begins to suspect Faedra has a sinister ulterior motive for calling them there.
After their marriage on the first date, Julia and Adam drove around for a while until they got the idea to sit under this very bridge. Julia likes bridge 👍.