The Japanese attack on Midway in June 1942, filmed as it happened. Preserved by the Academy Film Archive, in partnership with Twentieth Century Fox Film Corporation, in 2006.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
This is the authentic story of a bombing raid on Germany... how it is planned and how it is executed. Every person seen in the picture is a member of the Royal Air Force from Commander-in-Chief to aircraft hand, re-enacting his own daily life on the job. They are the men and women who actually direct, plan and execute the raids.
Compilation of footage from three Frank Buck films about his adventures capturing animals for the world's zoos: "Bring 'Em Back Alive" (1933); "Wild Cargo" (1934); and "Fang And Claw" (1935).
The people of Britain resist the German air force and navy with help from North America. Preserved by the Academy Film Archive in partnership with Library and Archives Canada in 2005.
This entry in the TravelTalks series visits the ancient Egypt. starting Valley of the Kings in a remote and desolate part of Egypt, the entrance to tomb of King Tut is shown, though the ts priceless treasure is now in the Cairo museum. A visit to Luxor and the ancient city of Thebes, which date to 1500 BC, follow with subsequent visits to Karnak. The film closes by noting that past and present are in harmony with the water wheel and village well still in wide use in the modern age.
This short Depression-era documentary describes the importance of the Mississippi River to the United States and laments the environmental destruction committed in the name of progress, particularly farming and timber practices and their impact on impoverished farmers.
MGM hosts a salute to Will Rogers (1875-1935) shortly after his death. After a few words from Gary Cooper and Harry Carey, a look at Rogers' fatal trip with Wiley Post, clips from Rogers' movies, a proclamation from Oklahoma's governor, and a cowboy ballad sung at sunset. Robert Taylor asks the studio audience to contribute to the Will Rogers Memorial Hospital in Saranac Lake, NY, where those in the entertainment industry could go for treatment. This Sanatorium already exists as the National Vaudeville Artist Lodge and then was renamed after Will Rogers timely death. The screen goes black while ushers collect donations.
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
Explorer Edward Salisbury takes an expedition across the Pacific Ocean to such exotic locales as Fiji, Samoa, Papua New Guinea and the New Hebrides Islands, and record the lives of the various natives they encounter there.
Explorer Paul Hoefler leads a safari into central Africa and what was then called the Belgian Congo, in the regions inhabited by the Wassara and the famous Ubangi tribes.
Simba: The King of the Beasts is an 1928 American black-and-white silent documentary film, directed by Martin and Osa Johnson, which features the couple's four-year expedition to track the lion across Kenyan veld to his lair.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.