Two women and a man in the Garden of Love: each leaves his past behind to fully live this triangle which many consider a sin, immoral. "They marry" symbolically to share everything between them. Society condemns them and never accept them, but they do not really matter as long as you have each other.
Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.
The most revealing report about the girls from the peep show. The girls from the peep show can't get enough of their power of seduction even after work. They never miss an opportunity to drop their covers...
A new look at the public and private life of one of the most important statesmen in the history of Europe: Winston Churchill (1874-1965), soldier, politician, writer, painter, leader of his country in the darkest hours, winner of the Nobel Prize in Literature, a myth, a giant of the 20th century.
This feature-length documentary on the eighth installment of the Saw franchise delves into some of the desires of the team to tether the film to its predecessors as well as find a new way forward. Featured on the Jigsaw (2017) Blu-ray special features.
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
When gigantic robots attack New York City, "Sky Captain" uses his private air force to fight them off. His ex-girlfriend, reporter Polly Perkins, has been investigating the recent disappearance of prominent scientists. Suspecting a link between the global robot attacks and missing men, Sky Captain and Polly decide to work together. They fly to the Himalayas in pursuit of the mysterious Dr. Totenkopf, the mastermind behind the robots.
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
'Love and the First Railway' is what this movie's title would mean in English. This is one of those films that depicts fictional characters participating in an historic incident. The actual first railway was built in England, of course. But according to this movie, the first railway (in Germany, at least) was built from Berlin to Potsdam, in 1838. I haven't the faintest idea if that's correct, but the people who made this movie do seem to take a great deal of interest in historical accuracy, so I'll take their word for it. Anyway, a title at the beginning establishes that this movie is set in 1838.
Sartana, bounty hunter and gunfighter, witnesses the robbery of a shipment of gold. He finds his way into town where he meets with a lot of suspicious stares from the locals. He also meets with Samuel Spencer, who seems to own the company in this company town. The gold shipments are being stolen, so Spencer agrees to hire Sartana to protect the next gold shipment. Numerous dull-witted villains make attempts on Sartana's life, but he survives. Eventually, Sartana's nemesis Sabbath (he of the white coat and parasol) rides into town. With a showdown inevitable, Sartana and Sabbath square off to settle the score.
It’s the summer before Elle heads to college, and she has a secret decision to make. Elle has been accepted into Harvard, where boyfriend Noah is matriculating, and also Berkeley, where her BFF Lee is headed and has to decide if she should stay or not.
When a casino-owning dog named Charlie is murdered by his rival Carface, he finds himself in Heaven basically by default since all dogs go to heaven. However, since he wants to get back at his killer, he cons his way back to the living with the warning that doing that damns him to Hell. Once back, he teams with his old partner, Itchy, to prep his retaliation. He also stumbles onto an orphan girl who can talk to the animals, thus allowing him to get the inside info on the races to ensure his wins to finance his plans. However, all the while, he is still haunted by nightmares of what's waiting for him on the other side unless he can prove that he is worthy of Heaven again.
Wayne Szalinski is at it again. But instead of shrinking things, he tries to make a machine that can make things grow. As in the first one, his machine isn't quite accurate. But when he brings Nick & his toddler son Adam to see his invention, the machine unexpectedly starts working. And when Adam comes right up to the machine, he gets zapped along with his stuffed bunny.
Germany 1939. The farmer Jonathan Friedberg with the Nazis tried to make a pact to see his family again deported. 75 years later. Jennifer is a young psychology student, and is in a wheelchair because she had an accident years ago. She is working on a study for the university and asked about this in a village at random people on the street. She encounters a strange story that an old, since 2 World War II relates abandoned house. Jennifer is very curious and looking at the house despite all the warnings. She gets caught in an incredible situation. It is a puzzle to solve, which is directly related to her. Moreover, they fall into the hands of criminals who buy their neither the story, nor are willing to let them free. The situation escalated unexpectedly. The horror is falling!
Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.