A dramatic comedy about a self-induced attention-deficit disordered, learning disabled, Tourette's syndrome suffering, balance impaired, ex-alcoholic young man from the Upper East Side of Manhattan and the gold-digging girl who inspires him to try to get it together.
A grieving family whose daughter was killed in a car crash with a drunken driver is outraged and frustrated as they encounter the inevitable bureaucratic delays in bringing the case to trial. Once in the courtroom, they are horror-stricken as the young, hard-pressed district attorney seems unable to overcome the technicalities and maneuverings that the driver's attorney uses to keep his client out of jail and still on the streets as a legal driver. When the judge is forced to rule time and again in favor of the defense, it appears that the driver might escape punishment altogether.
Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.
A deaf man and his girlfriend resort to desperate measures in order to fund a kidney transplant for his sister. Things go horribly wrong, and the situation spirals rapidly into a cycle of violence and revenge.
Recently released from her vows as a nun, Christine Bennett is discovering "life on the outside." After a visit to her mentally-handicapped cousin Gene, Christine becomes embroiled in the investigation of the murder mystery surrounding James and Edward Talley, twin savant brothers accused of killing their mother on Good Friday.
Hypochondriac Joe Banks finds out he has six months to live, quits his dead end job, musters the courage to ask his co-worker out on a date, and is then hired to jump into a volcano by a mysterious visitor.
When all hope died, Akhanda arrived. He saved his family, protected his people, killed the wrongdoers, and retreated into isolation. But years later, new threats emerge, putting the world in danger. And as the world burns, Akhanda returns.
An enterprising Sugar Baby is offered $30,000 to move in with her Sugar Daddy for the week, but soon discovers the sinister secrets trapped within his home.
When Norm returns to New York, he is falsely accused of a crime and must work with his pals to get the case dismissed while also protecting his kingdom in a winner-take-all hockey tournament.
A trainee has dream is to become a nurse and live a comfortable life. But that dream turns into a nightmare when she becomes the object of obsession for the sex crazed son of a major shareholder at the hospital where she works. When he is admitted to the hospital with alcohol poisoning, no nurse is safe! Will she escape his clutches or will she finally succumb to his amorous appetite?
Centuries-old vampire Count Dracula travels to Victorian London, where he becomes obsessed with Mina Murray—the fiancée of his solicitor, Jonathan Harker—believing her to be the reincarnation of his long-lost love.
Facing the camera, they describe " the horror ". Brutal and unwilling medical acts, performed without anesthesia. The impression of being no more than " a piece of meat ", and the pain, unbearable. " It was no longer a delivery, it was a scene of massacre, " describes a young mother, her voice white. Her testimony, bordering on sustainable, and those of several other women are at the heart of "Tu enfanteras dans la Pain". After investigating the impact of pornography on the sexuality of young girls or the suppression of prostitution in Sweden , the feminist director Ovidie continues to examine the pressures exerted on the bodies of women, this time through the prism of obstetric violence.
Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.