When Santa crash-lands in the junkyard on Christmas Eve, Hank, Trash Truck and their animal friends all have a hand in rescuing the holiday for everyone.
Shohoku's “speedster” and point guard, Ryota Miyagi, always plays with brains and lightning speed, running circles around his opponents while feigning composure. In his second year of high school, Ryota plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui as they take the stage at the Inter-High School National Championship. And now, they are on the brink of challenging the reigning champions, Sannoh Kogyo High School.
While sorting through a mess of books in the staff room, Ohana happens upon one of Denroku's log books from long ago. Within it, it recounts a story of Ohana's mom when she was the same age as her.
It's Christmas Eve in Naples. Little Rocco feels increasingly jealous due to the imminent birth of a baby brother. Three bungling devils sent by Satan promise him that if he'll stop Jesus from being born—entering the Nativity scene his father built by the magic word "opopomoz" and altering the past—his brother won't be born either.
What promises to be the world's easiest babysitting job turns into a nightmare as Duck the duck, Punky the turtle, and Lemurman the lemur are locked out of the house by a psychotic kitten named Tabby, who's intent on making the evening a (painful) memory they'll never forget!
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
The Juggler of Our Lady is an animated film by Les Novros, produced by Cavalcade Pictures in 1957. The film was submitted as a possible nominee for the 1958 Oscars and was shown at the Stratford International Film Festival in 1960, but no copy of the film is known to exist.
Based on the story by Kenji Miyazawa in which two hunters get lost in the woods and discover a strange restaurant which makes a number of increasingly strenuous demands.
Ludmila – King Vladimir's beautiful daughter – has been known for her wayward and disobedient personality since she was a little child. For a very long time, Ludmila has been in love with a boy of her age – Ruslan, with whom she spends her carefree time and of marriage with whom she dreams. However, King Vladimir doesn't consider Ruslan worthy of his daughter's hand and wants to arrange her a marriage of convenience, with a more suitable groom. Ruslan and Ludmila will go through plenty of adventures, battles and magic in Chernomor's fairytale lands before they get hold of their right for love and happiness.
The world has been divided into two halves by a giant wall to prevent the epidemic of "Dark mist". In order to shelter the refugees, artificial cities called "Arks" were built. Shido Enishi is a private detective, who works at the ninth Ark. One day, he is asked to capture a burglar. The seemingly simple case leads him to a great conspiracy.
Bukida is disliked by all the students in his class because of his unpleasant face. However, he loves a girl named Matsuko and so he stalks her. Though Matsuko rejects him, Bukida fancies she likes him at heart. One day, Bukida is killed in a traffic accident. Matsuko feels relieved. But Bukida appeared to her as the living dead. Bukida says, "I love you forever, even though I am dead!".
A bickering married couple continue their verbal sparring as they repeatedly repel Inspector Clouseau's attempts to enter their house to give them a ticket.