Wartime Soviet propaganda cartoon. The short shows the fascist threat, symbolised by vultures, and glorifies Soviet defence, represented here by the airforce.
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.
A train conductor goes about his duty. All the characters are animals in human form. Hippo ladies in dresses try to jam into cars and other passengers pull jokes and cause havoc.
Casper the Friendly Ghost, sad that he can make no friends since everyone he meets is afraid of him, hatches an abandoned egg and becomes the emerging little duck's best friend and protector.
A hound dog drives to the hills to dig for gold. However, a gas station hound explains that, in 1849, there was a major gold rush in the hills at the first sight of gold, and he didn't have any success digging, mining, or panning any gold. When a horseman reports a sign of gold, the station hound trades his gas station for the other hound's car and equipment.
This travelogue across America is filled with sight gags such as the 'Old Reliable' geyser spitting into a spittoon, cliff-dwelling Indians who walk horizontally up and down the faces of cliffs to get to their homes, and a Texas cow puncher who really punches cows. Also featured is Mr. Butter Fingers, a 'human fly' who climbs the outside of the Empire State Building.
Billed as "a cinema-propaganda poster," this 1927 short advocates the purchase of government bonds as a means to combat a British trade embargo. Its dynamic interpolation of newsreel footage and animation is a good deal more radical than its political message.
Armand works on the assembly-line of a tinned pasta factory. One evening he opens up a tin of ravioli for dinner. Much to his surprise, a Genie jumps forth, promising to fulfill any two wishes.
Donald Duck and Jose Carioca, both literally blue, stumble across the Cafe do Samba, whose proprietor is determined to cheer them up with samba music. After they get their color back, they land in a giant brandy snifter, where a live-action woman is playing the tune on an organ. She also drums and dances a bit. The only dialogue is the lyrics of the song, sung by women.