Dave Caplan’s directorial debut tells the inspirational story of hip hop icon The DOC, 30 years after losing his voice in a horrific accident as he contemplates experimental surgery that could restore his voice at long last.
Everyday people find themselves in the midst of a global tragedy when two Boeing 737 Max planes crashed only five months apart in 2018 and 2019. This powerful documentary is told through the perspective of affected family members, their legal teams, whistleblowers, and Pulitzer-winning Seattle Times journalist, Dominic Gates.
When Washington Post journalist Jamal Khashoggi disappears after entering Saudi Arabia’s consulate in Istanbul, his fiancée and dissidents around the world are left to piece together the clues to a brutal murder and expose a global cover up perpetrated by the very country he loved.
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
Follow the four-year odyssey of three young immigrants in Georgia in this powerful observational documentary portrait of what it means to grow up in the United States as an undocumented (but fully DACAmented) American.
Thrust into the limelight for discovering the secret of life at age 25 with Francis Crick, influential Nobel Prize-winning scientist James Watson has thrived on making headlines ever since. His discovery of DNA’s structure, the double helix, revolutionized human understanding of how life works. He was a relentless and sometimes ruthless visionary who led the Human Genome project and turned Harvard University and Cold Spring Harbor Laboratory into powerhouses of molecular biology. With unprecedented access to Watson, his wife Elizabeth and sons Rufus and Duncan over the course of a year, American Masters explores Watson’s evolution from socially awkward postdoc to notorious scientific genius to discredited nonagenarian, also interviewing his friends, his colleagues, scientists and historians.
Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
2016 marked a revolution in American politics when a political novice upended the entrenched political classes on both sides of the aisle, and achieved a stunning victory for the forgotten men and women of the nation. Running on a common-sense platform of America First, a revitalized economy, tax cuts, a reinvigorated foreign policy, and a promise to reestablish American sovereignty with immigration reforms, Donald Trump ignited a dormant passion in the hearts of his supporters, and won the presidency in what was arguably the most significant election campaigns in our nation’s history. Trump @War is a retelling of that story and a look forward to the high-stakes midterm election in November, which will help cement his legacy, good or bad.
Through previously undiscovered private letters, photos and diaries that were found in the Himmler family house in 1945, the "The Decent One" exposes a unique and at times uncomfortable access to the life and mind of the merciless "Architect of the Final Solution" Heinrich Himmler.
A group portrait of filmmakers attend the 1995 Sundance Film Festival. Featuring Matthew Harrison, Richard Linklater, Ethan Hawke, Todd Haynes, Greg Araki, Abel Ferrara, Atom Egoyan, James Gray, Robert Redford, Haskell Wexler, among many others. Co-directed by Amy Hobby. [Filmed in Pixelvision and blown-up to evocatively grainy 16mm.]
Jack Rebney is the most famous man you've never heard of - after cursing his way through a Winnebago sales video, Rebney's outrageously funny outtakes became an underground sensation and made him an internet superstar. Filmmaker Ben Steinbauer journeys to the top of a mountain to find the recluse who unwittingly became the "Winnebago Man".
In the City of Angels, despair and heartache are the daily mail -- delivered with painful regularity whether we want them or not. Through I AM, we join an eclectic cast as they try to untangle themselves from the web of sin. All along the way, they are each joined by a mysterious companion -- ever present with a loving guidance without judgment for their actions. The more they attempt to fix their lives, the deeper they sink into chaos, pain, and loss. In addition, we discover that sin is a matrix connecting even the most remote of strangers to one another. It is at this breaking point when we see the presence of this companion was no accident. He was the ever-loving constant who refused to abandon His people -- even when they abandoned Him.
Rome, 1968: at the pinnacle of his artistic career, Pino Pascali died in an accident. 50 years later the Pascali Museum in Apulia—where Pino was born—buys and exhibits one of his works. This is the story of a work of art returning to its origins told through Pino Musi and Pino Pascali’s photographs.
How's it all gonna end? This experience takes us on a journey to the end of time, trillions of years into the future, to discover what the fate of our planet and our universe may ultimately be. We start in 2019 and travel exponentially through time, witnessing the future of Earth, the death of the sun, the end of all stars, proton decay, zombie galaxies, possible future civilizations, exploding black holes, the effects of dark energy, alternate universes, the final fate of the cosmos - to name a few.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.