This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.
The making of Lantana, a 2001 Australian drama film directed by Ray Lawrence and starring Anthony LaPaglia, Kerry Armstrong, Geoffrey Rush and Barbara Hershey.
Pasquale Donatone, aka Tony, is the taxi driver who drives us through America land of dreams and Italy land of broken dreams. Tony is a backward deported immigrant. He left italy 40 years ago when he was child and he became American but he did some mistakes, more than one. The biggest was to sign to be deported, instead of go in jail for ten years because of its second work: loading illegal mexicans immigrant and delivery drugs. Now he was deported in a small town in South of Italy, and he has to wait ten years before he can return legally to US but ten years aren’t easy to live. The waiting time is too long and Italy is a country without hopes. For sure he can’t wait anymore. A story of immigration, drug, love and sense of union in a country that change you inside, the United States of America.
The Process is a tricky business. It reveals how psychodrama, long recognized as a valuable tool in therapy, can help people deal with addictions and the effects of dysfunctional family life. The tricky part is that the slick way in which it has been assembled and compressed to fit a 70-minute running time makes the treatment seem easier than surely it must be. We are told upfront that the film, unscripted and unrehearsed, will gather nine people, led by psychodrama expert Dr. Tian Dayton, who will be trying to put their lives together over a series of group therapy sessions.
Pearson International Airport, Toronto, ON, Canada. August 7, 1987. This raw, unedited concert footage was was shot by a pro crew (likely an MTV crew) but might have been hired by CBS records.
This film is a portrait of the group as it was more than a year before the release of the album The Dark Side of the Moon. It bears witness to one of the most fruitful periods in its existence. The recording session was filmed with a Coutant camera on 16mm black and white reversal stock. The rushes were found again by the filmmaker and are now preserved at the Cinémathèque française. They have never been seen except for a ten-minute excerpt used in the director's cut of Pink Floyd: Live at Pompeii.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates MeĢtis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Two journeys take place in two different periods. One is a train journey across two continents. The other follows an old family photograph back to life during wartime. The rhythmic swaying of the train reveals a forgotten memory.
Forced into an early retirement nearly a decade earlier, WWE Hall of Famer Edge defies the odds in an emotional journey to relive his dream. What began as a documentary about life after wrestling becomes an impossible second chance, as WWE 24 cameras capture the resurrection of one of WWE’s most beloved Superstars.
Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.
In this 1993 video interview, filmed for the Directors Guild of Japan at Tokyo’s Haiyuza Theatre, director Masaki Kobayashi talks to fellow filmmaker and longtime Kobayashi admirer Masahiro Shinoda (DOUBLE SUICIDE) about THE HUMAN CONDITION.
A documentary about Derren Brown. Discover the story of how he met his co-writer, his mother's feelings about his involvement in Russian Roulette, and an emotional visit back to his old school, university and the Bristol bars where Brown first began his close-up magic.
Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short