From the clay used to make tiles or clay clay, an image of Lampião, the king of Cangaço, begins to emerge through the work of ceramicist Manuel Vitalino dos Santos. According to the artist, son of Mestre Vitalino, the most famous clay artisan in the Northeast, it would be preferable to abandon the art rather than having to change his artisanal production method. Tradition and consumption are discussed when the art arrives to be sold at the Caruaru Fair in Pernambuco. The soundtrack is provided by the voice of singer Severino Pinto.
In her feature documentary Seguridad, Newfoundland-based filmmaker Tamara Segura—once named “Cuba’s youngest soldier” in a militia publicity stunt—portrays her troubled relationship with her father in the context of the Cuban Revolution. When Segura accepts a scholarship to study film in Canada, the move offers crucial distance from her alcoholic father. After four years, she returns to Cuba hoping to make amends. But her father’s sudden death just days after her arrival forces Segura to explore his troubled past and the role Cuba’s highly militarized system played in his downfall. Through a series of deeply personal on-camera interviews with her immediate family, Segura unearths long-held secrets that ultimately tell a story of resilience and profound love between family members. Seguridad artfully weaves a lifetime’s worth of still photographs into its intimate narrative, which offers a rare glimpse into the inner lives of Cubans in the post-revolutionary era.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
‘Rip Up The Road’ is a new documentary and concert film capturing a very specific snapshot of one of our generation’s most beloved and progressive bands, Foals. Filmed over a 12-month period as the band embarked upon a world tour, the film, exclusive to Prime Video in over 200 countries and territories worldwide, hones in on two career highlight shows at London’s Alexandra Palace.
This film highlights moments in the long and rich African American cinema history in relation to social and political events, and how it affected Black viewers of the time.
In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).
Built from 1928 newsreels—the year 60 nations vowed to outlaw war—Storck’s razor-edged montage mocks the era’s self-congratulation by cross-cutting speeches and parades with portents of renewed violence: nationalism, colonial repression, police brutality. Slow-motion collapsing chimneys and the exhumation of an “unknown soldier” give the satire its sting.
Scott Noble's film Rise Like Lions takes the people, actions, and words from the camps and streets of Occupy Wall Street and provides a radical, compelling and inspiring account of what the movement is about. Watch it. Share it. Do it!
An evening with First Aid Kit as their concert with fantastic guest artists is mixed with interviews with the artists themselves where they talk about the album and tour.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
Goddess Remembered is a salute to 35,000 years of "pre-history," to the values of ancestors only recently remembered and to the goddess-worshipping religions of the ancient past. This documentary features Merlin Stone, Carol Christ, Luisah Teish, Starhawk, Charlene Spretnak and Jean Bolen, who link the loss of goddess-centered societies with today's environmental crisis.
Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.