Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has been recently claimed as a boutique hotel venture for a management company that shows disregard for its formidable history. –Cannes Film Festival
This is the story of more than four hundred Americans who participated in a bold and dangerous experiment designed to awaken the conscience of a complacent nation. These self-proclaimed, 'Freedom Riders' challenged the mores of a racially segregated society by performing a disarmingly simple act.
¿Y Tú, Cuánto Cuestas? (So, what's your price?), it seems to be the constant over this excellent documentary work, performed by Olallo Rubio, a young Mexican director. The movie shows two faces of the same issue: the American influence in the Mexican culture. you will remain thinking after the movie ends. Everything has a price? Everybody has a price?, so, What's your price?. Strong and ancient differences between two distant-neighbor countries are discussed under each opinion. Both Mexican and American-common persons give its particular point of view about the other, but also about themselves. Developed with a extremely low budget, but with inventive and imagination, this movie shows many of the key aspects in the Mexican-American relationship. However, the movie is not just a compilation of statistics, the producers manage to make it fun too. That's one of it's good points. But never the only one. Well developed, absolutely recommendable.
Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.
On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism
The story of the credit bubble that caused the financial crash. Through interviews with some of the world's leading economists, including housing expert Robert Shiller, Nobel laureate Joseph Stiglitz, and economic historian Louis Hyman, as well as Wall Street insiders and victims of the crash including Ed Andrews - a former economics correspondent for The New York Times who found himself facing foreclosure - and Andrew Luan, once a bond trader at Deutsche Bank now running his own Wall Street tour guide business, the film presents an original and compelling account of the toxic combination of forces that nearly destroyed the world economy.
In the summer of 1993, the Wu-Tang Clan emerged from the slums of Staten Island, NY and took the hip-hop world by storm. Their legacy spanned over a decade, selling more than 20 million albums. Their talents brought them success and their music made them legends. This is their story..."WU: The Story of the Wu-Tang Clan" is an inspiring tale of the Clan's rise to power, fall from greatness and phoenix-like rebirth. This gem of a documentary includes a spectacular presentation of never before seen rare concert footage and interviews intimately narrated by acclaimed, Gerald "Gee-Bee" Barclay.
Don Alfonso plays marimbas, the traditional Guatemalan instrument. Facing extortion and without work due to the population's lack of interest for his instrument, he seeks refuge with his godson Chiquilín. Blacko is a pioneer of the Heavy Metal Guatemalan underground stage. He is also a doctor in the public hospital but nobody wants to be treated by him because of his long hair and his tattoos. Chiquilín makes connections for Don Alfonso and Blacko to combine their talents and create a brand new band called Marimbas from Hell.
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don't have to make outraged demands for the end of the current global system - it seems to be coming apart already. But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future. Backed by Jensen's narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music... Written by Franklin Lopez
One of the most important figures in contemporary cinema, Pedro Costa's celebrated music documentary is a mesmerizing portrait of French actress-turned-singer Jeanne Balibar, a transfixing, cigarette-smoking chanteuse with an intense devotion to her craft. Photographed in shimmering black-and-white and featuring a soundtrack of jazz-inflected pop songs, the film is a luminous exploration of the creative process.
On a quest for emotional healing and spiritual awakening, a naturopathic doctor and an accountant join others in the Peruvian Amazon to drink a psychedelic brew called ayahuasca.
From the Academy Award-nominated producers of Everest and Grand Canyon Adventure comes an all-new IMAX 3D Theatre experience—Arabia 3D—about the extraordinary culture, history and religion of Arabia.
The Black Parade Is Dead! is MCR's final performance as their onstage characters, the Black Parade. The Black Parade centres around a dying character called The Patient, who reflects on events in his life while he is confronted by Death in the form of his fondest memory, that of his father bringing him to see a marching band. This is based on frontman Gerard Way's belief that death comes to a person in the form of their fondest memory. The band is seen in their Black Parade uniforms throughout the performance, and during the first song "The End", Gerard Way is seen taking the role of The Patient, before tearing off his hospital gown to reveal his uniform.
For the first time, a film recounts the story of the long pursuit of Nazis in hiding from 1945 to the present day. Sixty years of investigations, set-backs trials and dramas, brought about principally by three extraordinary individuals—the Austrian Simon Wiesenthal, and the German-French couple, Beate and Serge Klarsfeld.
Candyman tells the amazing true story of David Klein, an eccentric candy inventor from LA, who came up with the concept of Jelly Belly® jellybeans. These colorful beans became a pop culture phenomenon, revolutionized the candy industry and were personally endorsed by Ronald Reagen. However, David's eccentric personality and peculiar sense of business led him to leave Jelly Belly just as it was about to explode and grow into a billion dollar enterprise. Is there room for eccentric genius in the modern corporate world? The film tells how Klein may have lost his beans, but kept his soul.
Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.
The film traces the rise of one of the world's premier architects, Norman Foster, and his unending quest to improve the quality of life through design.