Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.
Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.
Documentary short film depicting the harrowing battle between the U.S. Marines and the Japanese for control of the Pacific island of Tarawa. Preserved by the Academy Film Archive in partnership with National Archives and Records Administration in 2005.
A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?
This film covers the early history of post World War II educational films, especially those involving traffic safety by the Highway Safety Foundation under direction of Richard Wayman. In the name of promoting safe driving in teenagers, these films became notorious for their gory depiction of accidents to shock their audiences to make their point. The film also covers the role of safety films of this era, their effect on North American teenage culture, the struggle between idealism and lurid exploitation and how they reflected the larger society concerns of the time that adults projected onto their youth.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
In 1968, Shirley Chisholm becomes the first black woman elected to Congress. In 1972, she becomes the first black woman to run for president. Shunned by the political establishment, she's supported by a motley crew of blacks, feminists, and young voters. Their campaign-trail adventures are frenzied, fierce and fundamentally right on!
An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political campaign films to animated cartoons to children’s phonograph records, featuring Al Jolson, Mickey Mouse, the young Jack Smith, and a half-dozen American presidents.
The worlds of glitz, glam, and pop-rock fused immortally on Goodbye Yellow Brick Road, born of the formidable partnership of Elton John and Bernie Taupin. This 1973 double album may well have been the peak of their collaboration. Ranging from perennial favorites like "Candle in the Wind," "Bennie and the Jets," and the title track to more ambitious compositions like "Funeral for a Friend/Love Lies Bleeding" and everything in between, Goodbye is unmatched in its depth and scope. This entry in the Classic Albums series of DVDs documents the often tumultuous writing and recording sessions for that masterpiece through vintage clips of the musicians in the studio and new interviews with Elton, Bernie, producer Gus Dudgeon, and the band members. We may never know how the John-Taupin team achieved their magic, but this release offers a both a peek at the process and a few reasons why the album endures today.
This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.
Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.
Heinz Bütler interviews Henri Cartier-Bresson (1908-2004) late in life. Cartier-Bresson pulls out photographs, comments briefly, and holds them up to Bütler's camera. A few others share observations, including Isabelle Huppert, Arthur Miller, and Josef Koudelka. Cartier-Bresson talks about his travels, including Mexico in the 1930s, imprisonment during World War II, being with Gandhi moments before his assassination, and returning to sketching late in life. He shows us examples. He talks about becoming and being a photographer, about composition, and about some of his secrets to capture the moment.
911 Mysteries is a documentary that attempts to tell the people what really happened. It systematically deconstructs all of the propaganda you have heard about the twin towers, and replaces it with facts.
During the evening of March 13, 1997, a mile-wide, V-shaped formation of lights (that seemed to be attached to something) slowly and silently traversed throughout Arizona at a very low altitude for many hours. The inexplicable and awesome event was witnessed by thousands of people, while they were looking up at the sky, purposely to catch a glimpse of the Halle-Bopp Comet. The significant statewide incident garnering headline news, catching the attention of USA Today, CNN, MSNBC, The Discovery Channel, EXTRA, national morning TV shows, as well as the Evening News with Tom Brokaw and Dan Rather.