The documentary depicts Bowie on tour in Los Angeles, using a mixture of vérité sequences filmed in limousines and hotels, and concert footage. Most of the concert footage was taken from a show at the Los Angeles Universal Amphitheatre on 2 September 1974 (Also featured are excerpts from D.A. Pennebaker's concert film shot at London's Hammersmith Odeon on 3 July 1973). Cracked Actor is notable for being a source for footage of Bowie's ambitious Diamond Dogs tour, and also for showing Bowie's fragile mental state during this period.
PUMPING IRON II: THE WOMEN, a film that is changing the way the world views the female physique-creating "a new definition of the female form." Join four women as they prepare for the 1983 Caesars Palace World Cup Championship: the sultry and curvaceous Rachel McLish, the current champion; the super-muscular Bev Francis, Rachel's toughest competition; and newcomers Lori Bowen and Carla Dunlap.
A documentary that examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema.
AKA Serial Killer documents the social upheaval and political oppression that roiled Japan in the 1960s, profiling a nineteen-year-old serial killer Norio Nagayama. An indictment of media sensationalism, the film humanizes the young man by situating his crimes in the larger context of his environment.
A documentary filmography of Howard Hawks, including lengthy footage of Hawks himself discussing his films and many clips from his best-known pictures.
Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood's biggest stars.
Hossain Sabzian and some of his associates discuss his character, his life-long obsession with cinema and his attitude towards the film he starred in, "Close-Up" (1990).
Irish director John T Davis stashes a camera in his bedroll, catches out, and rides the rails from Minneapolis to Seattle with Beargrease, a part-time hobo and full time philosopher, who narrates their way through the incredible scenery of the Northwest and gives us his views on life, liberty, and the pursuit of happiness. The pair meet up several other men living life on the margins: in particular a scene in which Duffy - an ex-corporate executive now living under a bridge in Spokane & collecting cans - describes how he got there is riveting.
An extraordinary video diary about living with AIDS documenting, with guts and humor, the love and dedication of longtime companions Tom Joslin and Mark Massi, from the emotional challenge of living with a fatal illness to the frustration of maintaining daily routines,.
When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.
In a span of ninety minutes the film aims to show how the Netherlands administered its colony as a colonial enterprise and what the relations were like at the time. The usual commentary has been omitted and in its place poems and songs in Bahasa Indonesia have been included in a digital sound composition. In Mother Dao the Turtlelike, the viewer sees how the colonial machinery in the 1920s was implanted in a world so different from Western Europe.
BLIND shows the educational programs and daily life of students in kindergarten through the 12th grade at the Alabama School for the Blind. The School is organized around the effort to educate blind and visually impaired students to be in charge of their own lives. Sequences in the film include mobility training, braille instruction and orientation as well as traditional classroom subjects such as English, history, science and music. Other sequences show psychological counseling sessions; vocational training; staff dealing with student disciplinary problems; and the wide variety of recreational and athletic programs.
Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)
A look into the many lives of Christa Päffgen, otherwise known as Nico; from cutie German mädchen to the first of the supermodels, to glamorous diva of the Velvet Underground, to cult item, junkie and hag. Many faces for the same woman, whom, you realize, just couldn't bring herself to care enough to live.
The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.
Anyone who has ever ventured to the "Land of the Deafs" will have been struck by the strangeness of the choreographed signs with which deaf people express themselves. Developed ages ago, these signs constitute a veritable language. As precise and subtle as speech, they are as effective as spoken language in making a declaration love or providing a detailed technical description. Jean-Claude, Jeanine, Eric, Cyril, Alain, Juliette, Guy, Aurélien and René have one thing in common - they are all profoundly deaf. So they dream, think and communicate in sign language. Which means that they see the world differently. Viewers embark with them on a discovery of the distant land of the deaf, where sight and touch assume enormous importance.
At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.