A teacher gives her third-grade class a "posture test". Four students--two boys and two girls--fail it. The teacher then suggests that the four become each other's "posture pals" and point out to each other when they're slouching, slumping or engaged in other such deviant non-good-posture activities.
On October 3rd, 1993, 120 Delta Force Commandos and Army Rangers were dropped into the heart of Mogadishu, Somalia. Their mission was a fast daylight raid to kidnap lead terrorist Mohammed Farrah Aidid, who had been killing U.N. workers delivering food to starving Somalis. Aidid’s goal was to control the country by controlling all the food. The mission abruptly changed to a rescue operation. Surrounded by Somali militia, a fierce firefight ensued that left American troops trapped and fighting for their lives. The ordeal left 18 American men dead, 70 wounded, with 3,000 Somalis casualties. This brilliant documentary tells the true story of "Black Hawk Down" through the memories and voices of the American Special Forces survivors. Also included are Somali militiamen as they recount their harrowing experiences of battle.
Working men and women leave the Lumière factory, through the main gate. Three separate versions of this film exist, this is the second remake "no horse" version.
Best Documentary Film of Golden Horse Awards 2005, Special Jury Prize and Audience Award, Taipei Film Festival 2005 "Jump! Boys," a warm and engaging documentary about young boys training for gymnastics competition, brought out tears and laughter when it was shown in local theaters.
Beavers shot The Hedge Theatre in Rome in the 1980s. It is an intimate film inspired by the Baroque architecture and stone carvings of Francesco Borromini and St. Martin and the Beggar, a painting by the Sienese painter Il Sassetta. Beavers’ montage contrasts the sensuous softness of winter light with the lush green growth brought by spring rains. Each shot and each source of sound is steeped in meaning and placed within the film’s structure with exacting skill to build a poetic relationship between image and sound.
This public-school educational film warns of the dangers of cheating. John Taylor is struggling with his algebra course, and convinces his friend Mary to show him her answers during the tests. But when he is caught, his reputation among his fellow students, along with his student-council seat, is put in jeopardy.
"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights and myself to it. 'The Housewife is High.' Water Sark is a film sculpture, being made while you wait."
Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...
Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.
Andrzej Wajda's first movie looks at the pottery in the town of Iłża, Poland. Much of it shows the actual process of creating all the objects out of clay.
In 1999, for the 30th anniversary of the original Woodstock festival, organizers planned the three-day Woodstock '99 music festival in an abandoned air force base in Rome, New York. Thousands of people came to the festival. Performers such as Kid Rock and Limp Bizkit performed at the festival. However, all was not peace and love. Bad conditions and inflating prices for water led to riots and looting on the last night of the festival.
During the filming of Fatlip's debut solo music video for "What's Up, Fatlip?" Spike Jonze compiled a series of interviews with the rapper and put them together in a documentary.
Through images showing the precarious conditions in which the poorest families in the country live, and the testimonies of the mothers themselves, a denunciation of child malnutrition in Chile is made. It also shows a hospital ward and babies in a state of extreme malnutrition, and images of a funeral, in which the coffin is evidently that of a child. The narration provides facts and figures that reinforce the magnitude of the problem.