Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
For 27 years, Teton Gravity Research has been searching for the right place with the right crew at the perfect time to experience life at its fullest. Between the thrill of the hunt and the peace of floating down a mountain, the sum of our experiences becoming greater than its parts is what we seek. If you ask us, our annual snow film Magic Hour is just that.
Coming soon from Black Market Narrative and ZQ Entertainment, a feature-length true-crime superhero "documentary" based on the critically-acclaimed comic book + audio series from Kyle Higgins, Brian Buccellato and Geraldo Borges. A mosaic of sit down interviews, phone footage, news coverage and never-before-seen drone, GoPro and first-person helmet footage from the NO/ONE operation itself, I AM NO/ONE is the final chapter in this visionary multi-narrative experience.
A cinematic concert film immortalizing blur’s biggest shows to date. Highlights include The Narcissist and St Charles Square from the recent acclaimed #1 album, ‘The Ballad of Darren’, as well as There’s No Other Way, Popscene, Beetlebum, Trimm Trabb, Villa Rosie, Coffee & TV, Under the Westway, Out of Time, To the End, Parklife, Song 2, This is a Low, Girls & Boys, Tender, and The Universal.
Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.
When a young mayor finds his reelection plans challenged by a crusading former evangelical pastor, a battle begins for the hearts and souls of the faithful. Amidst car caravans, cockfights, reggaeton concerts, and jujitsu work outs, the Machiavellian mayor is reborn and christened "The Boss" by his supporters. Accusations fly of malfeasance, mismanagement of funds, vote buying, and incitement of violence as the campaigns roll forward. All politics is local and from this perverse passion play uncomfortable truths emerge about the mechanics of democracy in America’s biggest colony.
"This sensuous sea of color, motion, light that seems to surround us completely and we swim in it almost bodily and it is like going through the most fantastic dream." - Jonas Mekas
Video magazine with interviews and video clips.
Featured on this volume is: Alice Cooper, Dio, W.A.S.P., Anthrax, Motörhead, Voi Vod, Vio-Lence, Party Ninjas, Ozzy Osbourne, Mötley Crüe, Forbidden, Mammoth, Warrant, Quireboys
Noted scholar John Romer takes us on a tour of the seven wonders of the ancient world. This program presents the stories of the works of architecture regarded by the Greeks and Romans as the most extraordinary structures of antiquity: the Hanging Gardens of Babylon, The Statute Of Zeus, the Temple of Artemis, the Mausoleum of Halicarnassus, the Pharos of Alexandria and the Pyramids of Egypt and more.
Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999. The first hour is the history of the band, the last 20 minutes is uninterrupted footage of the band’s final encore.
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
"The Love We Make", a film directed by Albert Maysles ("Gimme Shelter") and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: "The Concert For New York City".
Playwright Arthur Miller, director Volker Schlöndorff and actor Dustin Hoffman are seen creating the Roxbury Productions and Punch Productions teleplay Death of a Salesman (1985).
Tennis star and women’s rights activist Billie Jean King won a total of 12 Grand Slam titles, but the biggest match of her career took place in 1973 against former men’s champion Bobby Riggs, a self-proclaimed male chauvinist pig who declared that, even at the age of 55, he could beat any woman in the world.
With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.
Les Blank's first documentary cinematography job shooting Drag Racers in Long Beach, CA, driving everything from hopped up "Mercs" to Supercharged "Rail Dragsters". These cars could accelerate to over 220 miles/hour in a mile. The film follows the life of Rick "The Iceman" Stewart as he attempts to grab the world's record. Original score by Canned Heat Blues Band.