A gay man approaching a mid-life crisis is tired of being different because he is gay. He wants to be normal. Suddenly he is yanked back in time to when he was in high school. But this time, the world is gay and to be straight is considered deviant behavior. Then something else happens. He meets a girl. And suddenly normal becomes ...well almost normal.
Violet Evergarden comes to a private women's academy to tutor Isabella in the ways of being a lady. Heir to the York family, Isabella feels trapped in this new and uncomfortable world. She still grieves for the only person to ever bring her happiness – now lost to her. Violet's lessons do give her a brief respite from the melancholy but with the absence of joy, how long does it take to truly heal?
Working in a recycling factory, a group of people come together and decide to restart their lives finding themselves through love and self-improvement.
As Minister of Propaganda, Joseph Goebbels creates films and pictures used to prepare the Germans for Total War and the Holocaust. When the war is lost, he conceives his last staging, the most radical propaganda act still possible to him.
Mária, a retired teacher, one fine day decides she no longer wants to feel like a cow, and when not even the mayor helps her against the arrogant source of local evil, she obtains a gun and resolves to do what most of us occasionally think of but immediately banish from our minds. Very soon, however, she discovers that just as murder is morally complex, it is equally complex logistically, despite her former pupil, now on probation, offering her this priceless life advice: “Crime only looks simple, Mrs. Teacher, but then something always goes to shit.”
Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.
Palestine, 1948. After the withdrawal of the British occupiers, tensions rise between Arabs and Jews. Meanwhile, Farha, the smart daughter of the mayor of a small village, unaware of the coming tragedy, dreams of going to study in the big city.
A German tourist who gained fame in the 1970s after becoming lost in America and a washed-up one-hit-wonder indie rocker are connected across history by feelings of having already peaked.
Two sixteen-year-old girls, Sanne and Clarissa, are invited to a party by one of their brothers. The girls have done their best to dress appropriately, but when they arrive at the party it turns out that they are completely underdressed and, moreover, by far the youngest. Afterwards they visit a snack bar, where suddenly a nice boy Sanne had met that morning enters the supermarket. 'Snacken' is a subtle story, in which it is not so much about the story, but about the exchanges of glances between two 16-year-old girlfriends, in which vulnerability and bravura compete for priority.
A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.
A social comedy about a wealthy man in his prime, for whom marital infidelity is just a pleasant and regular sport. A young flower shop owner, to whom her husband seems to be generally ordinary and overworked, nevertheless manages to resist the advances of an experienced seducer.
Marcello, a 10-year-old orphan, lives with his uncle Franco in Milan. He earns pocket money by cleaning the windows of parked cars. One day, he sneaks into a tourist bus to steal and, trapped, is forced to...
In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.