Karas: The Revelation is about the battle between supernatural forces on the streets of modern-day Japan. The Revelation covers the true identity of newly-minted Karas (spiritual protector of humanity from demonic forces) Otaha, who returns to his hometown to rescue a friend from gangsters. Meanwhile, evil Karas Eko continues his campaign of terror against mankind with the aid of a multi-headed dragon summoned by the powers of rogue demon Nue.
"Hija de Perra" (Daughter of Bitch) , a woman who together with his servant and slave "Perdida" (Lost) are engaged in selling in a free fair pies of pine made of human flesh. The obsession of Hija de Perra to revive Caballo, her dead husband, leads her to come into contact with supernatural beings capable of returning life to her beloved, in exchange for a great offering.
During an ordinary day at Yuuko's house, the Mokonas beg to be put into the world of the manga Yuuko is reading. She sends them in, and together they explore the worlds of CLAMP and get to know the characters who populate them.
A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.
A corner of Hell hasn't been meeting its quota of damned souls, so Lila, a beautiful female demon, is sent to corrupt a moral man by making him irresistible to women. But Lila hadn't counted on falling for him herself.
A young girl is playing on some waste ground when she finds a pencil with a face. Whatever she draws with the pencil becomes real. Just an ordinary day.
Once a year, on Christmas Eve, Cafe Telekinesis holds a real psychic party. At the party, psychics gather together to show off their abilities while for the rest of the year they hide their abilities. Yone Sakurai is a program director for a psychic variety TV show called "Asunaro Psychic". She is stressed out and tired from her work, but proud of what she is doing. Yone actually believes in psychic abilities. By an audience request a new plan is set out for the program, a plan which requires the show to uncover real psychics or psychic events.
A computer teacher, his black-magician grandfather, and a female cyber-creature promote a series of pre-destined rendezvous, both online and offline, over the shreds of mnemonic time and space, at the cleavages of various parlors of subculture. The film explores the possible correlation of digital aesthetics and black art, situated in post-human consciousness.
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.
Aidai the baksy, or witch doctor, lives in the mountains and helps people. She uses mysterious actions to cure the sick and to give infertile couples children. As capitalist forces begin to encroach on tradition, the first casualty is any culture's most fundamental inheritance - land. The healer has to leave her land because the mob thinks the location is suitable for a filling station. A harsh battle between supernatural good and earthly evil ensues.
The film follows the Goseigers as they try to save the Earth from Warstar's surviving members. It was released on August 7, 2010, double-billed with the Kamen Rider W film W Forever: A to Z/The Gaia Memories of Fate, and was also filmed in 3D.
About a boy who finds a way to enter into a magical, fantastic world by sneezing with his eyes open. He must then enlist the aid of a strange ally in order to get home again.
Not the sort of film we usually see coming from Israel, this teen horror-comedy is a loving tribute to American films of the 80s. Mili and Noam are high-school students who intend to celebrate their six-month anniversary by losing their virginity. What begins as an innocent pedal boat ride full of raging hormones, becomes a struggle against monstrous cats out for blood. This self-parodying low, low budget, independently produced feature is filled with surprises as well as hilarious oddball charm.
A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival
A lowly but academically diligent warrior named Bessho Hikoshiro finds himself unable to move up in the world due to the stifling caste system of the Bakumatsu era. After being expelled from the household into which he was adopted through marriage and separated from his wife and son, he moves in with his disapproving elder brother and his wife. He meets his old class rival Enomoto Takeaki, now a commander of a naval ship, and is later told by a kindly noodle shop owner that Enomoto's rise in social status came about after he prayed at a shrine in Mukojima. Stumbling home drunk one night, Hikoshiro falls down a riverbank and comes across a small run-down shrine which he is convinced is affiliated to the one in Mukojima. Pressing his hands together in prayer, he unwittingly invites the unwanted attentions of the gods of poverty, pestilence and death..