On Christmas Eve, a nameless little girl reads 'The Monster's Christmas' storybook to her teddy bear, as something sneaks around in the trees outside her window. She hears a noise in the other room, and thinking that it's Father Christmas, she goes to investigate. She finds one of the monsters, who has come seeking help to defeat an evil witch that has stolen all the monsters' voices.
A magician makes money by charging people to cast love spells on the objects of their affection. Complications arise when he decides that he wants a customer's bride for himself.
Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself.
The season is fall and the city of Neo-Venezia is covered in fallen leaves. Something is bothering Anya, who works at Orange Planet. Her senior colleagues Alice and Athena haven't seen each other due to their busy schedules, which is making Athena feel sad. But for some reason, Alice seems to be avoiding her altogether. With her friends Ai and Azusa's help, Anya tries to find a definitive way for Alice and Athena to get together. But during this time, Anya learns of a situation that only she can see because of where she stands.
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications?
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
As told to a psychiatrist: Mr. Peabody, a middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that the thing in the bathtub is anything but a large fish.
A tortured man-turned-machine recounts his inner conflicts while being escorted to fight his foe once again—this time in the face of a greatly personal sacrifice.
A group of mysterious villains known as 'The Alliance' sets a trap for the Taxpayer. They imprison him, torture him, and make plans to publicly crucify him. Local janitor Richard Randolph rounds up retired Superheroes, and hatches a plan to rescue the Taxpayer. The villains stage a public rally, where many citizens come to watch the Taxpayer's crucifixion. The heroes invade the bad guy lair, and a large battle ensues. Various comedic and action-packed musical numbers are intertwined throughout the madness. In the midst of the big political debate and battle for mankind will the heroes save the day?