Nao Tsuyama, a disabled athlete, refuses to let his articifical leg hinder his dream to become a professional boxer. His remarkable journey takes him from Japan to the Philippines, and specifically the celebrated ‘Gensan’ quarter which has spawned worldwide stars such as the legendary Manny Pacquiao.
With Trident renewed for another generation, A Very British Deterrent tells the story of the remarkable events, eye-watering costs, power relationships and secret deals done half a century ago to secure Britain's very first submarine-launched nuclear missiles.
The true story behind one the of most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.
In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.
Humayan (Hindi: हुमायूँ) is a 1945 Indian Bollywood historical epic film directed by Mehboob Khan. It was the seventh highest grossing Indian film of 1945.
It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.
Aaron Eliyahu, a Jewish man, travels to a small village called Mala, Kerala in search of his Jewish heritage. On his journey, he befriends a Muslim man named Beerankunj. Unfortunately, Aaron meets with a fatal motor accident that lands him in a state of coma in a hermitage somewhere in North India. By the time he reaches Mala, he sees that his house has been converted into a post office and learns that his mother, Veronica, entrusted all her property with the panchayat before leaving for Israel. Unable to prove his own identity, Aaron is denied the rights to his own house. Since he is unable to provide any concrete evidence in the court of law, Aaron is thrown into the streets with only his true friend Beerankunj by his side. Karutha Joodhan reveals the unexpected happenings passing through the three generations of Aaron and Beerankunj.
Panduranga Mahatyam is a 1957 Telugu film directed by Kamalakara Kameswara Rao and starring N. T. Rama Rao playing the role of Pundarika. The Lyrics written by Samudrala Ramanujacharya are excellent. The songs of Ghantasala Venkateswara Rao particularly Jaya Krishna Mukunda Murari and Amma Ani Pilichina are ever remembered as the best film songs expresses the human feelings of devotion and sorrow.
Comedy troupe "The Whitest Kids U Know" present a film that follows two young men who mistakenly believe the American Civil War is being waged over the legalization of marijuana. They join the cause and embark on a journey that brings them face to face with the Union, the Confederates, the Pony Express and eventually Abraham Lincoln himself.
On the eve of his return to Europe after an extended involuntary stay in 16th-century Brazil, the German sailor Hans Staden is captured by a hostile cannibal Indian tribe. In order to survive he tries to convince the Indians that he is not Portuguese (their enemies) but a friend of the French (their allies), and that his God would be very angry if they were to eat him.
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.