Lithuania in the 19th century: While the first railway-road is built from Warsaw to Moscow throughout the country people are still facing slavery and oppression from the elite. A fight between the Robin-Hood-like gang leader Laurynas and the greedy landowner Laurnyas emerges.
March 9th, 1953, 5 million people attend Stalin’s funeral. A revolutionary lacking in both charisma and stature, Stalin came to power almost by chance, and his 30-year reign saw him become the most Machiavellian and bloodthirsty of dictators. The man who insisted on being called “The Father of the People” massacred his own countrymen, and was responsible for the death of some 20 million people. Soon forgetting his former ideological stance, he mercilessly crushed anyone who opposed him, in both word and deed. His camps for reform through hard labor – known as “gulags” – turned 18 million Russians into slaves. He not only murdered his opponents but his best friends too, and even sometimes members of his own family. His cruelty knew no bounds. Through colorized archive material rich in previously unseen footage, and many accounts from the period including some from Stalin himself, this documentary tells the story of a man who turned a dream into a nightmare.
This documentary is a visual encyclopaedia of the bombers deployed and their strategic use, by both the Allied and Axis Forces during the Second World War. The programme includes detailed accounts of the Lancaster, Wellington, Blenheim, Liberator, Flying Fortress, Heinkel HE 111, Stuka, Mitchell, Superfortress, Heinkel HE 177 Greif, Marauder, Whitley, Halifax, Hampden, Stirling, and more.
A reflection on celluloid dreams, fathers and sons, and the cyclical universe presented as a portrait of the erstwhile Prabhat Studio through the reunion of some of its oldest workers.
An experiment in style over substance. It attempts to present the actual medium of film as the focus as opposed to the bland subject matter. The film looks to gain the viewers interest by drawing attention to the fact they are watching a film. It is a comment on the quick cutting and style prevalent in popular film.
Danny 45, sentenced to 30 years in the penitentiary of La Victoria de Santo Domingo, is the absolute control of the dreaded prison, his abuses and macabre actions against the other inmates, make people of the same environment betray him, and so between all of them try to take his life.
Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.
A historical film that takes place on the eve of the thirty year war combines aspects of fairy-tales with historical dramas, fencing with a child heroes who find themselves in great dangers. We are in the year 1611 and mercenaries that had previously invaded Czech lands now have to withdraw before the Hungarian king's army. In this chaos a magical bottle, that fulfills the owner one single wish, appears among some fugitives - however after the fulfillment it has to be sold for half it's price to a new owner. The director Ludvík Ráža has created an attractive and surprisingly cruel film aimed not only at young viewers.
Part journalistic investigation and part performance documentary, "Who Killed The Federal Theater?" tells the story of the Federal Theatre Project within the context of a volatile period in the political, social and cultural history of the United States. The film features interview segments with playwrights, including Arthur Miller, and with actors, directors, designers, and historians. It also incorporates rare archival materials and dramatic sequences, including professionally re-created scenes from Federal Theatre productions that transport viewers back in time to a bygone era in American history and entertainment.
The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.