Celebrating 50 years since ABBA won Eurovision in 1974 with Waterloo, through the extraordinary and entertaining story of how international stardom almost didn't happen for the group.
Wacken Open Air is the biggest 3-day-rock- and metal-festival in the world. It's three days of raw energy, non-stop Heavy Metal music at full blast and 80.000 fans on a party frenzy. A true legend, taking place annually since 1990 in the sleepy German country town of Wacken, it attracts fans from all over the world.
The days of the Schlosshotel Seefels appear to be numbered. Hotelier Theo Frobenius is forced to sell his hotel to group boss Mertens in the face of massive competition. Frobenius learns that Mertens wants to secretly inspect the hotel. In order to drive up the price, the hotelier wants to make him believe that the business is flourishing.
1. Intro 2. J´adore Hardcore 3. Posse (I Need You On The Floor) 4. The Sound Above My Hair 5. Stuck On Replay 6. Jumping All Over The World 7. The Question Is What Is The Question? 8. Second Skin 9. Clic Clac / Scarborough Reloaded 10. Fire 11. Fuck The Millennium / Call Me Manana 12. Weekend! 13. Bit A Bad Boy 14. One (Always Hardcore) 15. Ti Sento 16. Jump That Rock (Whatever You Want) 17. Nessaja 18. How Much Is The Fish? 19. Maria (I Like It Loud) 20. Endless Summer / Hyper Hyper / Move Your Ass!
LIVE IN "Mellow" MIHO NAKAYAMA CONCERT TOUR '92 is the 11th video release released by Nakayama Miho. It was released on December 4, 1992. It was recorded on September 18-19, 1992 @Nakano Sunplaza.
In celebration of her upcoming new album Hymn, best-selling soprano Sarah Brightman is in cinemas with an incredible performance. HYMN: Sarah Brightman In Concert was captured live for the big screen from the Festspielhaus in the enchanted Bavarian Alps, known for the historic and captivating Neuschwanstein Castle. Staged in two acts, the performance is a hybrid of a musical film, a classical-crossover program and a large-scale concert production. Brightman is accompanied by her band, the Munich orchestra, a 50-voice choir and the Ludwig Ensemble of dancers. The concert was conceived and created by Sarah Brightman, Anthony Von Laast (Mamma Mia, Beauty and the Beast), and Frank Peterson (Enigma, Andrea Bocelli). Filmed using state-of-the-art video and audio technologies, cinema audiences will also enjoy an exclusive “making of” feature.
Desert Age: A Rock and Roll Scene History is a feature length documentary about the California desert rock and roll scene from the early 1980s and 1990s.
In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...
A concert film capturing Devo at the Fox Theatre in Oakland on their 2014 "Hardcore Tour," in which they performed 21 songs written and recorded before they signed with a major record label, many of which had never been performed live. The set is intercut with stories and commentary from the band members, as well as Toni Basil and V. Vale.
"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.
Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. The hillbilly farmhand's ability to throw melons enables him to become their star passing ace.
The origin story of the smash hit “Who Let the Dogs Out” goes back further than anyone could have imagined; steeped in legal battles, female empowerment and artist integrity, which beckons the question: will we ever know who let the dogs out?
David Gilmour, guitarist, composer and vocalist of the legendary formation Pink Floyd has performed in Poland on 25. June, 2016. He played the concert at Freedom Square in front of the National Forum of Music in Wroclaw.
The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams
In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.