Tara, Dev Prakash Tandon, Aditya Verma, Ritu Malhotra, and Raghu, run their own band, and practice at Aditya's dad's studio. When an actress, Piya Anand, hears their number, she wants to join them, but Ritu rejects her, as she feels that Aditya may be falling for her. The group subsequently relent, let her join, and the inevitable happens when Aditya starts going out with Piya, with Raghu showing an interest in Ritu. They enter their band into a contest, compete, and qualify for the finals. Then they get devastating news when Ranjit Bose takes over the studio and threatens to demolish it. Things gets even worse when Piya finds out that Ranjit is her estranged dad, and will never permit her to take part either on the tinsel screen nor in a band.
Seen only once in 1981, this is a live national broadcast of the 10th anniversary production of MASS. Directed for the stage by Tom O’Horgan of “Hair” fame, the cameras were directed by Emile Ardolino. The work that opened the Kennedy Center is conducted by John Mauceri and produced for PBS by WQED, Pittsburgh.
Alan Poole McLard, a Film Studies professor, attempts to film a documentary about Alice in Chains to coincide with the release of their new album, The Devil Put Dinosaurs Here, without any assistance from the actual band.
Documentary about the groundbreaking queer feminist art band Fifth Column, who were at the centre of Toronto’s influential Queercore scene in the 1980-90s.
This star-studded gala celebrates the centenary of the birth of legendary Broadway composer Richard Rodgers. Rodgers' contribution to musical theatre was extraordinary, including 900 published songs, 40 Broadway musicals and several film scores. Rodgers, together with lyricists Lorenz Hart and later Oscar Hammerstein II, wrote many of the best known musicals of the 20th Century, including Babes In Arms, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music. This performance at London's Theatre Royal, Drury Lane, directed for the stage by Simon Callow, includes songs, dance, staged numbers and anecdotes featuring leading stars from both Broadway and London's West End. The cast comprises luminaries drawn from Oklahoma!, Kiss Me Kate, Chicago, The King and I and other recent productions as well as from television. This musical extravaganza features many of Rodgers' best-loved classics.
Relive the highly successful Storyteller Tour - Stories in the Round, filmed at Underwood's sold-out Madison Square Garden show. The live concert features 17 of her 26 #1 singles, including "Church Bells," "Dirty Laundry," and "Something In The Water." 2016's top touring country female of the year took her critically-acclaimed world tour across nine countries, playing more than 100 shows for over one million fans.
A humourous "domestic opera" about an upwardly mobile couple in their mid thirties who can't resolve an argument about the cap being left off the toothpaste.
Based on the acclaimed 1971 Tony-winning Broadway musical with music and lyrics by Stephen Sondheim and book by James Goldman, FOLLIES tell the story of former cast members of Weissman Follies, reunited for the last time in their theatre which is to be demolished.
Arch Allies is a live album recorded by REO Speedwagon and Styx at Riverport Amphitheatre (now Verizon Wireless Amphitheater) in Maryland Heights, Missouri, a suburb of St. Louis. Each band also released single live albums containing only their own tracks from this album. The Styx songs were released alone as At the River's Edge: Live in St. Louis and the REO songs were released as Live Plus, Live Plus 3 and Extended Versions.
On the centenary of the opening of the operetta Iolanthe, Gilbert & Sullivan return to the Royal Albert Hall London to attend a performance of their most popular works.
Built around the earliest, until now unseen, footage of the Clash in concert, filmed by Julien Temple as they opened the infamous Roxy club in a dilapidated Covent Garden on January 1st 1977, this show takes us on a time-travelling trip back to that strange planet that was Great Britain in the late 1970s and the moment when punk emerged into the mainstream consciousness. Featuring the voices of Joe Strummer and the Clash from the time, and intercutting the raw and visceral footage of this iconic show, with telling moments from the BBC's New Year's Eve, Hogmanay and New Year's Day schedules of nearly 40 years ago, it celebrates that great enduring British custom of getting together, en masse and often substantially the worse for wear, to usher in the New Year.