A stringed instrument workshop in Gyeongju. Dong-joon is a man who has dedicated his entire life to the violin. He has suffered from hearing loss since the age of one, and without a hearing aid he cannot even hear the sound of an airplane passing overhead. Making a sound-sensitive stringed instrument requires extraordinary effort, and Dong-joon's family is worried and concerned about his decision to pursue a career as a musical instrument maker. Meanwhile, Dong-joon prepares to enter an international violin-making competition in Mittenwald, Germany to prove his skills.
Eva, an indecisive dancer, is going to an audition for a famous dance school in a week. What Eva wants to dance is not the same as what her teacher, Dania, thinks is right. What does Eva do?
Olivia Rodrigo performed at a surprise show at the Ace Theatre in Downtown Los Angeles on October 9th, 2023. For this intimate, stripped down performance, she played most of the songs from her about to be released album, "GUTS".
From the music of Uruguayan composer Florencia Di Concilio, English filmmaker Terence Davies does a cinematic reading of his own poem about his late sister, delivered over a single serene shot of the countryside near his home in Essex. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.
The documentary Black Rio! Black Power! looks at the influence of the Black Rio movement on culture, society and the struggle for racial justice in Rio de Janeiro and Brazil between the 1970s and 1980s. The film shows the movement's impact on music and on the direction of politics and the black movement during the period of re-democratization, influencing genres such as hip-hop and funk, and the affirmative stance of the younger generations, who perpetuate the black pride and aesthetic appreciation spread by Black Rio 50 years ago.
In an audacious reworking of the biopic, this ensemble drama sees jazz pianist Minami Hiroshi’s memoir cleverly reinterpreted into a surreal and playful story about chasing dreams, disillusionment and the inner lives of professional artists. Closer to playing two sides of the same coin than tackling a dual role, Ikematsu Sosuke embodies two versions of Minami – the naïve upstart and the jaded pro – who magically cross paths as they become entangled with a cast of colourful characters in the seedy alleyways and jazz clubs of Ginza over a single night.
A new one, Hikari, pointing to the top of the idol, was communicating with the fans through a live. One day, she meets the idols Nikusako and Ai, who were participating as dancers in the photo essay of the new song. The filming was fine until the arrival of a new girl named Chi, causing problems.
After a thirty-year-plus hiatus, Todd Rundgren's Utopia graced the Chicago Theater stage, with the hopes of promising fans an extraordinary, other-worldly concert experience. In the 1990s Todd retired Utopia and reverted to making his own music, with varying degrees of success, and then last year came the announcement of the long-awaited U.S. reunion tour, where the album in review here originates. Recorded in Chicago on 22nd May 2018, the music reflects a run through many of the finer moments of the Utopia back catalogue. Todd is joined by fellow original members Willie Wilcox (drums) and Kasim Sultan (bass), alongside replacement keyboard player Gil Assayas who covered at short notice for an indisposed Ralph Shuckett. The original 70's-formed band established a stellar reputation for stretching the prog rock/pop. MUSICIANS Todd Rundgren – Guitar, Lead Vocals Kasim Sultan – Bass, Guitars, Lead Vocals Willie Wilcox – Drums Gil Assayas – Keyboards, Backing Vocals