A future classic was unleashed in January 1967 as the Doors released their eponymously titled debut album. This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors--guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore. The three band members also play some of their instrumental parts from the album, offering invaluable insight into how the songs were constructed.
A new interpretation of SEVENTEEN’s DK on the legend of King Arthur, ‘a hardworking genius vocalist’, DK’s own documentary of King Arthur! The ‘brilliant journey’, which you must see if you love DK, begins with a fresh start. Dubbed as the most perfectly prepared ‘Arthur’, DK went through an intense vocal training to become ‘Arthur’ in the musical with his innate singing ability. Besides his powerful vocals that are a given to be acknowledged by everyone, DK’s voice that has an appeal to make your heart ache will be part of the 2021 [XCALIBUR] live performance, providing the best spectacle. With DK, a member of SEVENTEEN who stood on stage as a confident leading musical actor, this documentary includes the journey of XCALIBUR that went by for three months, as well as the recording studio behind the scenes of the song ‘When Will We Learn’.
ROCKPALAST FROM THE ARCHIVES
WDR HD channel
84 min. - Genre: Rock ('Krautrock') - TV archives Can live in Soest, Germany - Winter 1970
Mixed media show
Post-"Monster Movie" period (just before Can masterpieces "Soundtracks", "Tago Mago" and "Ege Bamyasi")
Rockpalast archives Band
Holger Czukay – bass
Irmin Schmidt – organ
Michael Karoli – guitar
Jaki Liebezeit – drums
Damo Suzuki – vocals Songs line-up
Sense All of Mine
Oh Yeah
I Feel Allright
Mother Sky
Deadlock
Bring Me Coffee or Tea
Don't Turn the Light On, Leave me Alone
Paperhouse
Purlie is a musical based on Ossie Davis' 1961 play Purlie Victorious. In the early days of the civil rights movement, a Southern plantation owner holds his sharecroppers in virtual slavery. Purlie comes home as a preacher who will shake things up and bring freedom to his people. This 1981 television adaptation won a CableACE Award.
Kelly Clarkson celebrates the holidays with musical performances and special guests, including Brett Eldredge, Ariana Grande, Jay Leno, Melissa McCarthy, Leslie Odom Jr., Amy Poehler and Santa Claus, while giving back to those in need.
While Heavy Metal is often accused of being static and conservative, in truth it is a radical form that regularly re-invents itself, and one which attracts generation after generation of musicians willing to learn from the past, but hungry to evolve the future. And so it was that, in the early 1980s, a young man named Lars Ulrich was so taken by the New Wave of British Heavy Metal, then creating music paper headlines in the UK, that he came to England to track down obscure records, take them home to LA and, with his buddies, listen to them - until they came up with a genre of their own, soon be termed Thrash Metal.
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.
This film tells (using modern day interviews and archival footage and sound tapes) the story of how in 1967, while his band The Beach Boys triumphantly toured abroad, Brian Wilson was trying to push the boundaries of conventional pop music with a new follow-up to the Beach Boys' cutting-edge mega-hit, Pet Sounds. The new album was to be called "SMiLE". SMiLE pushed the envelope both musically and lyrically, and was supposed to out-do the Beatles' Sgt. Pepper record. But Brian wasn't able to sell the project to his band-mates when they returned. The project was shelved and Wilson's well-documented decline into depression, drug abuse, recluseness, and obesity had begun. Thirty-odd years later, Wilson announced that in 2004, SMiLE would be performed live in its entirety in London. This film tells the story of a damaged but healing artist bringing his greatest work to light.
Two of the biggest names in 20th century pop music together on stage, accompanied by their guitars. In "Two Friends, A Century of Music", Caetano Veloso and Gilberto Gil celebrate their 50 years of career by retaking the partnership on stage. In simple and intimate arrangements, Gil and Caetano celebrate brilliant trajectories that began in the same place: Bahia. It was from the friendship that began at the time that they were students, that the two singers and composers gave origin to a partnership that, years later, would base one of the most expressive movements of Brazilian art, Tropicália.
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.
K3 is special guest on a cruise ship. They have to perform on the ball, and expectations are high. But during the cruise a lot goes wrong. Especially because of all the sabotage from Elvin the Pearl Elf. Of course Hanne, Klaasje and Marthe will be singing many new songs.
Lulu, the daughter of musician Hermann Simon, is looking for something she feels is missing from her life. She delves into the past and is transported to the lives of her ancestors via dreamlike sequences that show the hopes and realities of her female relations over the course of an entire century. Heimat Fragments is an intoxicating trip into the lives of venerable characters from different periods in Lulu's family history, from long-forgotten scenes of war to every day family life on the farm. This gripping film shows fragments of the lives that shaped her own. Her gaze into the past does not simply signal the end of her youth, it means the beginning of a newly gained freedom.
When a romantic gesture towards a bartender backfires, Lali unexpectedly finds herself offered a pity date by another bartender, Ana. What starts as an awkward encounter turns into a genuine connection as they bond over shared experiences as women of color. As they grow closer, Lali finds herself falling for Ana. But when the conversation takes an unexpected turn, Lali must confront her prejudices towards Ana and... herself.
Based on their book, “Why Knock Rock?”, and their church lectures, Dan and Steve Peters examines how rock music's obsession with sex, drugs and suicide is dangerous to young people. Since the dawn of Rock and Roll, there has been ministers howling about its evil affects. Ministers would tour the country's churches and college campuses with sermons and slide shows illustrating the Devil's influence on the rock music. In this film we certainly see that rock stars aren't the best role models for kids and teens, but the Peters brothers often miss the musician's point – especially with some of the lyrics. Dan and Steve do however seem to take a delight in presenting some of the 1980s more perverse album covers to young people.