Music student Susanne and her cousin Monika inherit an alpine pasture. They have no idea that their hut is being used by a gang of smugglers as a temporary storage facility. While Susanne and her friends use the paradisiacal place to celebrate and play music, the crooks try all sorts of tricks to get hold of their hot goods.
"Do We Really Have to Give Up Our Day Jobs?" - A documentary about the making of the album Speak & Spell, featuring interviews with the group including former band member Vince Clarke and other relevant personnel such as Daniel Miller. It features various vintage footage, such as appearances on Top of the Pops and BBC Speak & Spell Tour recordings.
Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.
Entertain Me has all the great stories about how the band got together, what it was like in the early years, and all the other shit that we as fans love to hear, but it also flips it, and talks about the price you pay when touring non stop for years, being in the studio for months and years, and how just being in a band effects not just you, but your family and friends. That might be where it gets depressing. Yes, there are moments that are not so happy, both in interviews and on the road.
Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland
On a layover in Hawaii two conniving Navy seamen borrow money to lay down bets that their ship will win the upcoming gunnery practice trophy, having found out that the current gunnery champ has just transferred aboard their ship. What they haven't learned, however, is that the marksman's enlistment is up before the contest is supposed to take place.
What is Breakcore? Breakcore is the "bastard hate child" of jungle, happy hardcore, gabba, speedcore, drum 'n' bass, techno, IDM, acid, ragga, electro, dub, country, industrial, noise, grindcore, classical music, hardcore, metal and punk.
Catherine Miller's triumph at the Casino de Paris leads fashionable playwright Alexandre Gordi to ask her to create his next play. Flattered, Catherine moves into Gordi's villa near Cannes, escorted by her entire family. Only Jacques Merval, Gordi's secretary, disagrees. This is understandable, as it is he who writes the plays that Gordi, rather tired, simply signs. Jacques is a one-man band in every sense of the word, allying himself with the Casino manager to bring Catherine back to her music-hall successes. Despite a few clouds, and thanks to Gordi's generous intervention, he succeeds. Wasn't his only thought the happiness of the woman he loves?
Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.