Crash! Boom! Live! is the fourth concert film by Swedish pop music duo Roxette, released on 19 September 1996 on VHS and LaserDisc formats by Picture Music International and EMI. It contains a shortened version of the duo's 14 January 1995 concert in the Ellis Park Stadium in Johannesburg, South Africa of the Crash! Boom! Bang! Tour, which saw the band performing to over one million people during its eighty-plus concerts throughout South Africa, Europe, Australia, Asia and Latin America.
"Is this all there is to life?" thought the donkey, who was working as a tourist attraction for in the "Animal-Adventure-Park ", after his boss kicked him out. And because people again and again told him that his voice sounded lovely, he decided to make a career as a musician and go to Bremen. On his way, he met a dog, whose fate was to spend the rest of his life in the animal asylum, because his old master had died. The dog was a great drummer, so the donkey asked him to come along with him. On their way they met a cock and a cat, who were also living in a desperate situation. Since they too were good musicians, it was only logical that they completed the band. And what nobody ever believed came true. After many adventures, they were finally on stage. Where? Of course in Bremen.
Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.
Sahar loves singing and wishes to meet the great singer Wahid to hear her voice. She sets a date to meet him. At the meantime, Ramadan who owns a Gas station,loves to compose and also wants to meet Wahid. When Sahar's car breaks down, she meets the mechanic Fouad and they like each other.
Todd Rundgren's Utopia Rockpalast WDR Studio-L Koln January 01, 1977 Pro-Shot Setlist: 01. Communion with the Sun 02. Sunset Blvd. / International Feel 03. Love of the Common Man 04. Sunburst Finish 05. Jealousy 06. Windows 07. Emergency Splashdown 08. The Verb "To Love" 09. Initiation 10. Singring and the Glass Guitar 11. Utopia Theme 12. Couldn't I Tell You 13. Just One Victory Musicians: Todd Rundgren - voc/g Kasim Sulton - b/voc Roger Powell - keyb/voc Willie Wilcox - dr/voc
Filmed at The Pacific Coliseum in Vancouver, BC in 1982, this concert finds Loverboy at their peak. Highlights include: "Take Me to the Top," "Turn Me Loose," "The Kid Is Hot Tonight," "Working for the Weekend" and "When It's Over."
In this television special, after wrapping up a concert tour and missing their flights home, The Pointer Sisters decide to spend a night on the town in Los Angeles.
The Apollo Theater, Glasgow, Scotland - December 31, 1979. This concert video was originally broadcast live by the BBC on the OLD GREY WHISTLE TEST program. It was the 2nd night they'd played at The Apollo, with the first serving as a warmup. Only the second half of this show was broadcast, minus a few encores. Set List: Dreaming, Slow Motion, (Commercial Break), Shayla, Union City Blue, (Commercial Break), Atomic, Picture This, Pretty Baby, (Commercial Break), Heart of Glass, Hanging on the Telephone, Sunday Girl, (Commercial Break), Heart of Glass (Promo).
A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.
When her husband abandons her and her son, she ends up as a nightclub singer and gets sick, so the boy travels to the United States because he wants to find his father to ask him to return.
Robinson is a doctor and unlike Robinson Crusoe, his solitude is voluntary but his island in the Mediterranean Sea is invaded by migrants, NGOs, guards. Friday is a castaway, the only one from his boat to have survived when sailing from Africa to Italy. During his strolls on the island, Robinson confronts his own solitude by keeping a diary - that works like augmented reality - filled with extraordinary beings and events, which both fill and trouble his daily life.
Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison
Adrián, Manuel and Paula live in Madrid; together they form the VVV group (Trippin’you). This documentary tells the life of the group over two years, deepening the implications of being young today. It's about loss and about things that will never come back, and how that translates into reality; a reality that is perceived as alien and that drags the waste of a troubled past. In this context, a convulsive generation, disoriented but paradoxically competent, is framed. They are the first digital natives, the most qualified accident generation in history and one of the generations that have most abruptly detached themselves from their memory. A halfway between the past and the future, VVV (Trippin’you) tries to portray the contradictions that surround the daily life of a confused and disenchanted youth.
Four rebellious young Mexican women band together as outlaws in this film without audible dialogue, set to a soundtrack chiefly comprised of of Mexican rock & roll.