Amber St Clair, orphaned during the English Civil War and raised by a family of farmers, aspires to be a lady of high society; when a group of cavaliers ride into town, she sneaks away with them to London to achieve her dreams.
After three years, Nick's estranged daughter Holly returns home to find the spirit of Christmas in Santaville has dwindled, taking the family business with it. What starts out as an attempt to bail out her dad, ends up rekindling Holly's belief in Christmas all over again.
In 1690, years have passed since Captain Blood was pardoned by the Crown for his daring deeds against the Spanish on the Spanish Main, and he is living quietly on his plantation in the West Indies, practicing medicine and planning his marriage to Isabella. But his peaceful existence is shattered when Hilary Evans arrives and arrests him on a piracy charge. Somebody has been raiding the islands, and making it appear it was Captain Blood. In order to prove his innocence, Captain Blood has to sail again under the "Jolly Roger."
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
A young widow and her nine year-old son spend a week at her family’s pear farm in Washington state, where they both fall in love with small town farm life, and she falls for the guy who has been managing the farm.
During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.
This dramatic anthology of true-to-life stories of love and domestic problems based on letters sent by to the TV drama program hosted by Helen Vela who gives advice to troubled viewers.
Kasal is a slice of life drama of a gay couple whose resolve to stay together is challenged as they attend a wedding. It also is an examination on how a gay couple navigates through the different institutions in Philippine society.
A cash strapped feminist filmmaker secretly takes a job directing a porn film in order to get her thesis film, "Feminism For Dummies" out of the lab. Soon, her own slumbering sexuality is awakened in surprising ways. This arouses the suspicion of her politically correct husband, Hugh, and leads to a madcap finale of mistaken identity that threatens to upend Gillian's best laid plans.
A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the "Playboys", Tom Casey (Aidan Quinn).
Shakuntala (Mumtaz) is an estranged wife from Dushyant (Shatrughan Sinha) who wanted refused to admit that she is his wife because his political career would be hindered. His father (Om Shivpuri) never approved her because of her poverty and therefore decided to split them apart by blaming Dushyant for marrying her and because of that it would hinder his career.
Helen Roberts, who's on probation, goes back to work as a waitress at Torre's Fish Palace, a San Francisco waterfront dive. The customers are low characters trying to make time with Helen and ex-rum runners trying to make a dishonest dollar. Some of the latter, including Helen's unwelcome suitor Martin Rhodes, are after a mysterious, valuable hidden "cargo"; when violence erupts, Helen finds herself innocently involved, and is soon on the run from both cops and crooks.
Sadri Alışık plays İbrahim, a taxi driver deeply in love with Hacer, a hardworking seamstress he affectionately calls “muhabbet kuşu.” When his wealthy friend Necmi inherits a fortune and declares his intentions toward Hacer, İbrahim must confront class tensions and prove his true devotion.