Lacrosse was born in Akwesasne Mohawk Territory as a sacred game, traditionally reserved for men. Just off the reservation at Salmon River High in Fort Covington, NY an all-Native girls lacrosse team comes together, seeking to be the first Native women’s team to bring home a Section Championship. But first, they will have to overcome their crosstown rivals, Massena High. As the season comes to a head, the team is faced with increasing ambivalence in their own community and the girls must prove that the game of lacrosse is their rightful inheritance. With more than just the championship on the line, the girls fight to blaze a new path for the next generation of Native women, while still honoring their people’s tradition in a changing world.
"The Pearl" explores the raw emotional and physical experience of being a middle aged to senior transgender woman against the backdrop of post-industrial logging towns in the Pacific Northwest. The film leans into the struggle of those who were reared and successful as men and have reached middle age or later with a burdensome secret that they can no longer keep.
Join young filmmaker Patrick Ireland as he tumbles down the rabbit hole, penetrating the very core of Anonymous in the build-up to the infamous 'Million Mask March' on the 5th of November 2014.
Wall Street's leading insiders participate in a startling investigation into the potential systems failure looming for the US Stock Market and the impact of automated trading technology as regulators are challenged to act before its too late.
Degrees North mixes hair-raising action footage of leading freeriders with a story of adventure and discovery. World-renowned freeriders Xavier De Le Rue, Samuel Anthamatten and Ralph Backstrom progress the sport of freeriding through the use new technology to scope remote areas in order to show ski and snowboard action in a way never seen before. The film charts the progress of an idea to use these wings to access areas from the air in a more personal and organic way, with the aim of capturing great action footage. However the realities were not so simple.
"Stink!" opens with a foul smell and a pair of kids pajamas. And a single father trying to find out what that smell could possibly be. But instead of getting a straight answer, director Jon Whelan stumbles on an even bigger issue in America, which is that some products on our store shelves are not safe -- by design. Entertaining, enlightening, and at times almost absurd, "Stink!" takes you on a madcap journey from the retailer to the laboratory, through corporate boardrooms, down back alleys, and into the halls of Congress. Follow Whelan as he clashes with political and corporate operatives all trying to protect the darkest secrets of the chemical industry. You won't like what you smell.
Art, obsession and anxiety permeate a dilapidated Manhattan loft building in Mid-century: The first movie to use photographer W. Eugene Smith's massive, fly-on-the-wall archive of photos and audio tapes documenting the likes of jazz greats Thelonious Monk, Zoot Sims, Jimmy Giuffre, Hall Overton and others at work and play in the Sixth Avenue wreck that was Smith's home and studio from 1957 through the '60s.
Jerry Ross Barrish sees the beauty in—and creates the unexpected out of—discarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Art’s prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farley’s engaging documentary goes to show. Seeing the playfulness of his pieces, you’ll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society
After The Sky Falls" captures the skiing of Eric Pollard, Chris Benchetler and Pep Fujas. Two years in the making, the film is not an epic portrayal of the sport, but is instead an attempt to relate to and inspire everyday skiers. This film is not a dramatic narrative piece, it’s not a energy drink commercial, it’s not meant to make the skiers in the film into heros, it is simply a film that documents the Nimbus crew’s approach to skiing, and their focus on fun and creativity.
At sixteen they have finished school without formal qualification of any kind. Now they have been allowed an extra year of school to help them find a position. Choosing a career, applying for jobs, giving job interviews, convincing both employers and family and making plans for one's own future: these are all crucial steps to take and difficult goals to reach.
This documentary follows a band of idealistic young Californians who, using a radical new design approach, make life-changing products for the world's poor.
Radio host and Bible teacher Harold Camping predicted our world would end on May 21st, 2011. This documentary tells the story of three families in their conviction of this believe. They dedicate their entire life to their conviction, because they don't have the slightest doubt about the coming events, such as a worldwide earthquake and the death of half the human population. While they see it as their task to warn the world, their fundamental ideas more and more alienate them from their personal environment. Our main characters isolate themselves from their family and friends, while they focus on each other and their beacon; Mr. Camping. What will eventually be left of their ideas, after nothing happens on May 21st 2011...?
Nigeria is a hub for human trafficking. Victims are transported to 33 countries, mostly as part of the $100 billion dollar sex trade. The documentary underlines the human costs behind the statistics. Its tender, devastating interviews, reveal an all-too-common tale: African women turned prostitutes spend years paying off their trafficking debt in Europe. Few ever escape the shackles of their nightmarish ordeals. - Amanda Donohoe, Om Puri, Vithaya Pansringarm
From the 1960s to the 1980s, the rock radio DJ played an unprecedented creative role in the rock music world. I Am What I Play profiles four disc jockeys in major markets during this period: their programming, their politics and their deep connections with musicians and fans in the heyday of rock radio. Where are they now - and how did they reinvent themselves as the medium changed? Featuring the music of The Ramones, Joni Mitchell, Rush, David Bowie, The Cars, The Sonics and more.
When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, 'imitation is the sincerest form of flattery.' From a celebrity impersonator convention to their lives across the country, JUST ABOUT FAMOUS chronicles the few who have had the fortune, or curse, of looking like the most recognizable people on the planet.